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Canadian Geese
GREEN, Roland
Etching on wove paper, no date.Edition of 95.Signed and numbered in pencil.
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The Lock Tender's Wife
BOUTET DE MONVEL, Bernard
La Femme de l’Eclusier or L’Eclusière (original French titles) Color woodcut on thin simili-japon paper, 1901.Refs: not in BN-IFF; Addade p. 53.Edi...
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Jesu Via et Vita Nostra - Jesu Thesaurus Fidelium
DULAC, Charles
Lithograph printed in light and in dark orange-brown on chine-collé.Reference: BN-IFF 2.Plate 6 for the set of 9 color lithographs titled “Le Canti...
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Winter Morning on the Banks of the Hôtel-Dieu Hospital
Buhot, Felix
Une Matinée d’Hiver au Quai de l’Hôtel-Dieu (original French title) Etching, drypoint, and aquatint printed in black ink on thick wove paper, 1876...
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Afternoon - Storm Approach - Thirlmere
JAMESON, Susan
Color mezzotint printed from three plates on a single sheet of wove paper.Edition of 100.Published by Georgetown Graphics Inc for the Print Collect...
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Forest Avenue
BONNARD, Pierre
Avenue du Bois or Avenue Bois de Boulogne (original French titles)Lithograph on thin wove paper.References: Roger-Marx 59; Bouvet 57. Edition of 10...
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An Evening from Antiquity
LORRAIN, Rene
After Alphonse OSBERT (1857 – 1939)Etched by René LORRAIN (1873 – after 1939) Soir Antique (original French title) Color aquatint on thick Arches ...
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Night in Chicago
SWANN, James
James SWANN (1905-1985) Night in Chicago Drypoint on wove paper.Reference: Czestochowski 105.Published by Chicago Society of Etchers (with their bl...
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Norman Bay
PHILLIPS, Walter J.
Color woodcut on thin paper.Edition of 50. Colors vary in each impression, sometimes only a little, sometimes a lot. In our biased opinion, this ...
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Mont St. Michel
ANONYMOUS
Color mezzotint on thick wove paper.Edition unknown, but very likely small.Signed and titled in pencil. Image: 6 x 8 ⅞ inches. This lovely color me...
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No. VII
BOSE, Arun
Arun BOSE (Born 1934) Color intaglio (aquatint & etching) viscosity print on wove paper, 1969.Edition of 100.Signed, titled and numbered in pen...
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Night Flight
ZIEGLER, Henry
Aquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...
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