
Death Room in Goethe House
GEIBEL, Margarethe
Sterbezimmer im Goethehaus (descriptive German title) Color woodcut on laid Japan paper, circa 1913.Reference: Staatliche Kunstsammelung Dresden in...
View full detailsSterbezimmer im Goethehaus (descriptive German title) Color woodcut on laid Japan paper, circa 1913.Reference: Staatliche Kunstsammelung Dresden in...
View full detailsArbeitszimmer im Goethehaus, Weimar (descriptive German title) Color woodcut on laid Japan paper, circa 1913.Reference: Staatliche Kunstsammelung D...
View full detailsEtching on thin wove paper, circa 1920. Signed in pencil. Also titled and priced “16.00” in pencil in the lower left sheet edge in what appear...
View full detailsColor drypoint, soft-ground, and aquatint on simili-Japan paper, circa 1930. No known edition. Scarce. Subtitled in pencil "Festival Day in the Bla...
View full detailsColor drypoint, soft-ground, and aquatint on simili-Japan paper, circa 1930. No known edition. Scarce. Subtitled in pencil "Festival Day in the Bla...
View full detailsWoodblock print, or color woodcut, on Japan paper, circa 1930.With the artist’s signature, as well as his red seal, both in the image. Image size i...
View full detailsMezzotint on Fabriano wove paper. Edition of 111.Signed in Latin alphabet, dated, titled in Japanese Kanji, and numbered in pencil.
Le Haut d’un Battant de Porte (original French title) Etching on chine-collé on wove paper, 1852-65.Reference: Beraldi 110 v/v; Bouillon. Our impre...
View full detailsColor mezzotint and etching on thick wove paper. Edition unknown, but very likely small. This lovely color mezzotint was almost certainly created b...
View full detailsLever de Lune (original French title) Color aquatint and etching on Arches laid paper, circa 1898. Ref: BN-IFF 9-11. Seemingly an edition of 200 (i...
View full detailsColor woodcut on very thin laid Japan paper. Edition of 100.Signed, titled in English, annotated “original woodcut”, and dated in pencil.
Woodblock print, or color woodcut, on Japan paper. As usual with blank paper at the top and the bottom of the composition. With the artist’s red s...
View full detailsBaigneuses (original French title) Color etching and aquatint on laid Arches paper.Reference: listed as missing in BN-IFF. Edition of 50, but quite...
View full detailsAnes de Céphalonie (original French title) Aquatint and etching printed in two tones on laid Arches paper. Reference: listed as missing in BN-IFF. ...
View full detailsLe Géorgraphe (original French title) Color etching and aquatint on wove paper, no date.Artist's proof, aside from the edition of 100.Signed, title...
View full detailsColor woodcut and silkscreen with raised embossing on wove paper. Reference: Maki-Tretiak 202. Interestingly the matrix for this print was also use...
View full detailsColor woodcut on thin wove japan paper.Signed and titled in pencil.Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentl...
View full detailsEtching on thin wove japan paper.Edition of 50.This is thought to be the artist's first etching.Signed, titled, numbered and dated in pencil. Prove...
View full detailsEtching on laid paper.Presumed edition of 50.Initialed and dated in the plate, and signed in pencil. We add the preparatory drawing: Ink on wove sk...
View full detailsEngraving on laid Monval verdâtre (light greenish-blue) paper. Reference: Tonneau-Ryckelynck & Plumart 181. Plate 2 from the series "Animaux".P...
View full detailsWoodcut on laid japan paper. Edition of 50, but scarce, as are all of Quillivic's prints. Signed and numbered in pencil.
Woodcut on laid japan paper. Edition of 50, but scarce, as are all of Quillivic's prints. Signed and numbered in pencil.
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