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Gray Shrike
VAN OMMEN, Erik
Grauwe Klauwier (original Dutch title) Color woodcut reduction. Edition of 27. Signed and numbered in pencil.
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Grauwe Klauwier (original Dutch title) Color woodcut reduction. Edition of 27. Signed and numbered in pencil.
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Bach im Winter (original German title) Color woodcut on wove paper. Published by "Der Gesellschaft für vervielfältigende Kunst", Vienna.Printed by ...
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Hofkirche Innsbruck (original German title) Color woodcut on Japan wove paper.Signed and annotated "Handdruck" in pencil.
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Arbeitszimmer im Goethehaus, Weimar (descriptive German title) Color woodcut on laid Japan paper, circa 1913.Reference: Staatliche Kunstsammelung D...
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Color woodcut on thin laid Japan paper, no date.Edition unknown. Seemingly scarce. Signed in pencil. Very small rip in the top right sheet edge; mi...
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Color woodcut on thin wove japan paper.Signed and titled in pencil.Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentl...
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Color woodcut on thin wove japan paper.Signed and titled in pencil.Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentl...
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Color woodcut on thin wove japan paper.Signed and titled in pencil.Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentl...
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La Dame aux Cygnes (original French title) Etching, aquatint, roulette, and drypoint on thin laid paper, 1879.Reference: Bourcard & Goodfriend ...
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Lithograph on a large sheet of heavy, white wove paper.Reference: Bourcard & Goodfriend 183 ii/ii.Beautiful and fresh impression, before any of...
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Cochons au Soleil (original French title) Drypoint (mostly with the burr shaved off), aquatint, roulette, and very probably touches of etching prin...
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Le Ramassage des Pommes (descriptive French title) Original drawing, pencil and pen and black ink, with tiny touches of orange on thin paper, laid ...
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La Vitrine de Sagot or Adresse Sagot (original French titles) Also titled The Sagot Address or Sagot’s Lithography Gallery (original French titles...
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Une Loge (original French title) Drypoint and aquatint on laid paper. References: Exsteens 286; Arwas 352. Edition of 21 in color. Aside from an ed...
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Etching printed in brownish-black ink on thick wove paper. Reference: Campbell Dodgson 7. As issued in The Artist Engraver, April 1904.Fine selecti...
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Etching and aquatint printed in brown ink on laid paper. Reference: Deltiel:12, 6th and final state. Very likely a lifetime impression printed by h...
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Gouache and pastel on paper, mounted to second sheet. Signed and dated in ink.
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Lithograph printed in four tones on thick wove paper, 1888-1902. Reference: Fields page 77-78. Plate 1 from the series titled Les Trente-Six Vues d...
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Color lithographs (two states) on wove paper.Reference: Fields 403.Two impressions: one before the menu was added, but before the removal of the tw...
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Pencil on wove paper, affixed in four corners onto another sheet.We have not been able to ascertain whether this was a study after a master or an o...
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Drypoint on laid paper. Reference: McCarron 110. Edition of 41. Martin Lewis loved depicting snow, both in the countryside and in the city. This co...
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Woodcut on thin Japan paper. Edition unknown, but likely one of a handful of impressions only. Aside from a couple of published prints, most woodcu...
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Conté crayon on chiné pinkish-cream wove paper, circa 1878. Study for one of the figures in Les Muses des Arts, a ceramic tile decor created for th...
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