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Barnyard Gate
MEDEARIS, Roger
Lithograph on white wove paper.Edition of 100. Numbered, titled, signed and dated in pencil. Very fine impression in pristine condition.
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Lithograph on white wove paper.Edition of 100. Numbered, titled, signed and dated in pencil. Very fine impression in pristine condition.
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Lithograph on cream wove paper. Edition unknown, but certainly small. Signed in pencil. Very fine impression in pristine condition.
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Sur le canapé d’argent pâle (original French title) Color lithograph on thin wove chine paper.Reference: Cailler 117; Una Johnson 32.Tenth plate fr...
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L’Auberge des Trois Corbeaux (original French title) Etching printed on japon paper, 1877.Reference: Wentworth 29 i/iii.From the edition of 50 with...
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Entre les Deux mon Cœur Balance (original French title) Etching and drypoint printed on laid paper.Reference: Wentworth 30.From the edition of circ...
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Monotype on wove paper, 1953 (?).Unique work. While the artist is known to have made such monotypes from the mid-1970s to the mid-80’s it’s unclea...
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"La Mée (Eure-sur-Loir)" Color lithograph on chine-colle, 1897.Ref: Bibliothèque Nationale - IFF 27.Total edition of 60, of which 20 with remarque....
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En Plein Soleil (original French title) Etching and drypoint printed on laid paper.Reference: Wentworth 54.“Bon à Tirer” impression; the impression...
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Le Croquet (original French title) Etching and drypoint printed on laid Van Gelder paper.Reference: Wentworth 37.Impression of the published state....
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Drypoint printed in greenish black ink on wove.Reference: McCarron 75.Edition is of 100.One of only a few impressions printed in greenish-black ink...
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Color woodcut on thin paper.Edition of 50. Colors vary in each impression, sometimes only a little, sometimes a lot. In our biased opinion, this ...
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Père Boyer or Vieillard Assis or Le Vieux (original French titles) Color aquatint, soft-ground etching and gouache on Arches laid paper.Ref: not in...
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Woodcut printed in black ink on thin laid Japanese paper, circa 1929-31.Reference: Turzak 22.Edition of 50.Signed, titled and numbered in pencil.
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Woodcut printed in black ink on thin laid Japanese paper.Reference: Turzak 22.Edition of circa 50 or less.Signed and titled in pencil.
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Color viscosity intaglio print on ivory Japan paper.One of 15 artist’s proofs, aside from the edition of 65.This, like all the artist’s prints from...
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Henri DELAVALEE (1862-1943) La Tour Eiffel la Nuit (original French title) Soft-ground etching and aquatint on simili-japon paper. Reference: Moran...
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Bretonne en Noir (original French title) Soft-ground etching, drypoint and aquatint on thick wove paper. Reference: Morane 58.From the edition of 5...
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Ella FILLMORE LILLIE (1884-1972) Mitla Memento Lithograph on wove paper, n.d. Edition of 50. Signed and titled in pencil. Bearing “The Shealing – D...
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Coucher de Soleil sur la Lagune de Venise (descriptive French title) Color aquatint on wove paper, n.d.Edition of 50.Signed and numbered “tir à 50 ...
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Lithograph on wove paper.Edition unknown, but probably circa 50.Signed and titled in pencil.The slightest discoloration inside a prior mat window.
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Lithograph on wove paper, n.d.Edition of 50.Signed and titled in pencil.Bearing “The Shealing – Danby, Vermont” drystamp (as well as an “E.F.L. dry...
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Le Chef d’Oeuvre (original French title) Drypoint, aquatint and roulette printed in four colors, à la poupée (yet from two registered plates) on wo...
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Cerfs Indochinois I (Original French title)Pure-line engraving on wove Arches paper. Reference: Tonneau-Ryckelynck & Plumart 370. From a total...
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Schapen (original Dutch title) Woodcut on wove paper. As published in the loose-sheet portfolio titled 15 Houtsneden door Victor Delhez. From a sta...
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