La Tasse de Thé
BESNARD, Paul Albert
Etching and aquatint on laid paper. References: Godefroy/Delteil 15 iv/vi, Coppier 12.Before the plate was cut down laterally by almost two inches....
View full detailsEtching and aquatint on laid paper. References: Godefroy/Delteil 15 iv/vi, Coppier 12.Before the plate was cut down laterally by almost two inches....
View full detailsEtching on chine-collé on this wove paper. References: Béraldi 162, BN-IFF 115. From the series titled Plantes variées gravées à l'eau-forte. Signe...
View full detailsEtching on laid japon paper.References: Jennings 52, Curtis & Prouté 56 i/ii, Jennings 52, BN-IFF page 150.First state, before letters publishe...
View full detailsMonotyped etching or drypoint, reworked in ink on laid paper.Reference: not in BN-IIF, which seems to have very little of Gabriel's etched oeuvre.U...
View full detailsLithograph on white wove paper (sur blanc).Reference: Delteil 595 ii/iii.From the first edition, when the series was issued by La Caricature, and t...
View full detailsEtching on thin laid paper.Reference: BN-IFF 55. Plate from a set of prints titled Croquis hollandais et autres, published by Cadart that same year...
View full detailsEtching and false biting on laid paper.Reference: BN-IFF mentions that it is missing from the collection, volume IV, page 217.First impression of t...
View full detailsEtching and aquatint over heliogravure (photogravure) on simili-japon wove paper. Reference: Exsteens 783. Plate 1 from Les Sataniques. There is a ...
View full detailsEtching on laid paper.Reference: not in Delteil.Stated edition of 75, but unlikely.Signed and numbered in pencil. Very faint tone inside a prior ma...
View full detailsColor lithographs (two states) on wove paper.Reference: Fields 403.Two impressions: one before the menu was added, but before the removal of the tw...
View full detailsPromenade Matinale (original French title) Etching and aquatint printed in color on wove paper, circa 1900.Edition of 50. This print has become qui...
View full detailsLa Femme au Rocking-Chair (original French title) Color aquatint, soft-ground, and etching on laid paper, 1900. Reference: Cate & Grivel 101, F...
View full detailsConté crayon on chiné pinkish-cream wove paper, circa 1878. Study for one of the figures in Les Muses des Arts, a ceramic tile decor created for th...
View full detailsEtching on smooth wove paper (simili-japon or simili-parchment). With letters. Publisher unknown. Edition unknown, but scarce.Provenance: Sagot-Le ...
View full detailsPlace de l'église St Pierre à Montmartre (alternate title) Color aquatint and soft-ground etching on laid japon paper. Reference: listed as missing...
View full detailsLa Pâtisserie (original French title) Etching on thin wove paper.Reference: Sylvain Laboureur 137.Edition of 20. Scarce.Signed and numbered in penc...
View full detailsColor lithograph printed on thin wove paper. References: Bouvet 69, Johnson 10-11.Edition of 100.From the artist’s famous series Quelques Aspects d...
View full detailsLa Femme de l’Eclusier or L’Eclusière (original French titles) Color woodcut on thin simili-japon paper, 1901.Refs: not in BN-IFF; Addade p. 53.Edi...
View full detailsColor woodcut (woodblock print in Japanese manner, with water-based inks) on laid Japan paper, 1922 (?).No other impression is known of this print ...
View full detailsAu Bal Debray (French title) Color aquatint & etching on laid Arches paper, circa 1895.Edition unknown but seemingly small, given the scarcity ...
View full detailsFemme Assise (original French title) Soft-ground etching, and aquatint in color printed on simili-japon, 1903. Edition of 50.Published by "L'Estamp...
View full detailsLithograph on wove paper, 1930. Published by The Print Club of Cleveland, their 8th presentation print.Edition of 230. Two men sit in bowler hats o...
View full detailsPharmacie Ivoire (original French title) Etching on thick laid Japan laid paper, 1885.Reference: Bourcard & Goodfriend 13 ii/iv (?).Likely an i...
View full detailsSur les Berges de la Seine. (french title)Watercolor on thick wove paper.Signed “Eug Delâtre” and dated “31 août 95” in black pencil.
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