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The Aristocrat
TAIT, Agnes
Lithograph on white wove paper, 1936.Exact edition unknown, but less than 200.Published by American Artists Group, New York, with their logo printe...
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Lithograph on white wove paper, 1936.Exact edition unknown, but less than 200.Published by American Artists Group, New York, with their logo printe...
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Etching and aquatint on wove paper, 1935.Reference: Smith I-8c.Edition of 250, as issued by The Print Club of Cleveland.Signed in pencil.
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Dual-tone wood engraving on wove paper.Reference: Smith R-77.Exact edition unknown, but less than 200.Published by American Artists Group, New York...
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Color linocut printed on tan wove paper.Editions unknown, but certainly small and possibly unique.Reed was known mostly as a fashion designer, not ...
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Le Beguin – Anais (original French title) Etching on laid Van Gelder Zonen paper.Reference: Fletcher 33.Second state of four, before the plate was ...
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Woodcut on Japanese paper.Reference: Cole 50.One of 15 impressions printed in 1937 by the artist. An edition of 60, plus 18 proofs was published b...
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Color woodcut on Japanese paper, 1978.Reference: Rose 370.Edition of 25.Signed, numbered and dated in pencil.
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James SWANN (1905-1985) Night in Chicago Drypoint on wove paper.Reference: Czestochowski 105.Published by Chicago Society of Etchers (with their bl...
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Monotype on wove paper, 1953 (?).Unique work. While the artist is known to have made such monotypes from the mid-1970s to the mid-80’s it’s unclea...
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Drypoint printed in greenish black ink on wove.Reference: McCarron 75.Edition is of 100.One of only a few impressions printed in greenish-black ink...
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Woodcut printed in black ink on thin laid Japanese paper, circa 1929-31.Reference: Turzak 22.Edition of 50.Signed, titled and numbered in pencil.
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Woodcut printed in black ink on thin laid Japanese paper.Reference: Turzak 22.Edition of circa 50 or less.Signed and titled in pencil.
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Color viscosity intaglio print on ivory Japan paper.One of 15 artist’s proofs, aside from the edition of 65.This, like all the artist’s prints from...
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Irving AMEN (1918-2011) Duel Color woodcut on wove paper, circa 1960. Artist’s proof, aside from an edition in black only. It seems in black an ed...
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Arun BOSE (Born 1934) Color intaglio (aquatint & etching) viscosity print on wove paper, 1969.Edition of 100.Signed, titled and numbered in pen...
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Aquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...
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Ella FILLMORE LILLIE (1884-1972) Mitla Memento Lithograph on wove paper, n.d. Edition of 50. Signed and titled in pencil. Bearing “The Shealing – D...
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Lithograph on wove paper.Published by Associated American Artists.Edition of 125 or 250.Signed and titled in pencil. It has been suggested that the...
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Lithograph on wove paper.Edition unknown, but probably circa 50.Signed and titled in pencil.The slightest discoloration inside a prior mat window.
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Lithograph on wove paper, n.d.Edition of 50.Signed and titled in pencil.Bearing “The Shealing – Danby, Vermont” drystamp (as well as an “E.F.L. dry...
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This work of art is presumably by an American woman active in the 1920s by the name of Marjorie TAYLOR. Because we have been unable to confirm the...
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Mickey MYERS Lamoille #96 Oil stick monotype with pastel on wove paper, 2010.From a series of 140 monotypes, 120 of which went to members of the Ma...
View full detailsWatercolor and gouache on thick tan paper.Signed, located “Tunis” and dated in ink in the image, lower right corner. Read more about this work HERE.
Drypoint and etching on laid paper. One of only two impressions in the second state of (?). Signed and annotated “2e St. 2/2”.
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