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In Whom I Am Well Pleased
TAYLOR, Prentiss
Lithograph on wove paper, 1940. Reference: Rose &Quiroz 58. Edition of 35. Prentiss Taylor was an active member of the multidisciplinary art mo...
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Lithograph on wove paper, 1940. Reference: Rose &Quiroz 58. Edition of 35. Prentiss Taylor was an active member of the multidisciplinary art mo...
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Woodcut on thin Japan wove paper. Stated edition of 45, but very unlikely to have been printed in full. The artist would have been just 18 years ol...
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Monotype on thin Japan wove paper, 1942.Signed, titled and dated in pencil. Small margins. A small paper loss in the upper left sheet corner.
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Etching on wove paper, no date.Edition of 95.Signed and numbered in pencil.
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Lithograph on wove paper, 1945.No stated edition, and scarce. It isn’t clear that any editions were ever printed of any of the artist’s few lithogr...
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Woodcut printed in black and white and in color linocut on wove paper. Created in 1975. Printed in 2003. Published by The Print Club of Cleveland f...
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Four block woodcut, printed on 65 pieces of cutout chine-collé on wove paper, 2011.Edition of 200. Printed at the Robert Blackburn Printmaking Work...
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Intaglio, most definitely aquatint mixed with other techniques, printed in simultaneous color printing (using various viscosities of ink) on Rives ...
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Lithograph on white chine-collé on tan wove paper, no date. Edition of 25. An impression numbered over 25 exists.Signed and titled in pencil. It is...
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Woodcut printed on very thin Japan paper, no date. There is no stated edition, and this print may very well be a unique impression. Signed and ti...
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Color aquatint on wove paper. Edition unknown, but certainly small, like all of the artist’s work.A small paper tab (which we add), handwritten in ...
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Etching printed in black ink on laid paper. Reference: McCarron 70Total edition 83. Signed in pencil, also signed in the plate, lower right. This ...
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Silver-gelatin print, no date. Edition unknown. From a series of images titled Industrial Landscapes - Cleveland by the artist A very fine impr...
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Lithograph on wove paper, no date. Edition unknown, but if there was any, it certainly was small. The format suggests it could have been intended f...
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Color woodcut on thick off-white laid paper.References: This work is not listed in Bakker's 1989 and 1990 retrospective catalogs on the artist.Edit...
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Color intaglio viscosity print on wove paper.Edition of 75.Signed and numbered in pencil. The artist obtains effects that resemble velour in the th...
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Color intaglio viscosity print on wove paper.Edition of 75.Signed and numbered in pencil. The artist obtains effects that resemble velour in the th...
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Color intaglio viscosity print, with mica ink, printed on wove paper.Edition of 120.Signed and numbered in pencil. The artist obtains effects that ...
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Color woodcut on thin Japan paper. Edition unknown.Signed, dated, and annotated in pencil in the image. Trimmed just outside the image edge (fillet...
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Color woodcut on Japan paper. Possible edition of 100. Trimmed by the artist, to the image on three sides, and just below the pencil notations at t...
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Color viscosity intaglio on wove paper.Edition of 10.Signed, dated “2/64”, annotated "PARIS", and numbered in pencil.
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Color woodcut on Japan paper. Reference: Bakker 111. Edition unknown. Trimmed by the artist, close to the image, so as to focus on the composition,...
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