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In the Sunlight
TISSOT, James
En Plein Soleil (original French title) Etching and drypoint printed on laid paper.Reference: Wentworth 54.“Bon à Tirer” impression; the impression...
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En Plein Soleil (original French title) Etching and drypoint printed on laid paper.Reference: Wentworth 54.“Bon à Tirer” impression; the impression...
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Drypoint printed in greenish black ink on wove.Reference: McCarron 75.Edition is of 100.One of only a few impressions printed in greenish-black ink...
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Woodcut printed in black ink on thin laid Japanese paper.Reference: Turzak 22.Edition of circa 50 or less.Signed and titled in pencil.
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Color mezzotint on thick wove paper.Edition unknown, but very likely small.Signed and titled in pencil. Image: 6 x 8 ⅞ inches. This lovely color me...
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Color viscosity intaglio print on ivory Japan paper.One of 15 artist’s proofs, aside from the edition of 65.This, like all the artist’s prints from...
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Aquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...
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Color aquatint and soft ground etching on Arches wove paper, 1963.This is likely printed using the Atelier 17 method of simultaneous color printing...
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La Ferme de la Bendelière (original French title) Etching and aquatint on wove paper.Reference: Ginestet & Pouillon E 138.Edition of 50.Signed ...
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Ella FILLMORE LILLIE (1884-1972) Mitla Memento Lithograph on wove paper, n.d. Edition of 50. Signed and titled in pencil. Bearing “The Shealing – D...
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Lithograph on wove paper, n.d.Edition of 50.Signed and titled in pencil.Bearing “The Shealing – Danby, Vermont” drystamp (as well as an “E.F.L. dry...
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Le Chef d’Oeuvre (original French title) Drypoint, aquatint and roulette printed in four colors, à la poupée (yet from two registered plates) on wo...
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Cerfs Indochinois I (Original French title)Pure-line engraving on wove Arches paper. Reference: Tonneau-Ryckelynck & Plumart 370. From a total...
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This work of art is presumably by someone active in France, though we have no proof of this, aside from the numbering “No” which is fairly typical ...
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Schapen (original Dutch title) Woodcut on wove paper. As published in the loose-sheet portfolio titled 15 Houtsneden door Victor Delhez. From a sta...
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Pure-line engraving on laid Monval paper, circa 1923-25. Reference: Tonneau-Ryckelynck & Plumart 92. Edition of 35. Signed and numbered “1 = 35...
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Les Morphinomanes or Le Plumet (original French titles) Etching printed on wove paper.Reference: Delteil 65. Only state.Edition unknown.Signed in...
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Bateaux en Mer (original French title) Woodcut printed in olive-green on wove paper.Published by Société de la Gravure sur bois originale, with th...
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Gabriel Belot (1882 - 1962) L’Ile Saint-Louis or Le Bac à Sable (original French titles) Woodcut on thin japon paper, hinged to a support sheet.Pos...
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Norbert GOENEUTTE (1854 - 1894) Femme Assise au Coin du Feu ou Rêverie du Soir (original French titles) Etching and drypoint on laid paper, circa ...
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Le Moulin de Saint-Jacut-de-la-Mer (original French title) A monotyped etching and drypoint with selective wiping on tan wove paper.Reference: Duvi...
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Le Vieux Chemin (original French title) Color aquatint on laid Arches paper, 1908.Likely from an edition of 100.Signed, titled and numbered “epr. n...
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La Nonchalante (original French title) Color aquatint and drypoint on laid paper, 1903.Reference: Koehl E153.From the edition of 50 published by Ed...
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Au Violon (original French title) Zincograph on tan simili-japon paper.Reference : Vallotton & Goerg 47.Published by L. Joly, Paris.Monogrammed...
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