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Etching on thin wove paper, circa 1920. Signed in pencil. Also titled and priced “16.00” in pencil in the lower left sheet edge in what appear...
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Etching on thin wove paper. Reference: Beraldi 1; Villet 1. Seemingly a first state; definitely before letters and before the plate started to dark...
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Le Haut d’un Battant de Porte (original French title) Etching on chine-collé on wove paper, 1852-65.Reference: Beraldi 110 v/v; Bouillon. Our impre...
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Etching on thin wove japan paper.Edition of 50.This is thought to be the artist's first etching.Signed, titled, numbered and dated in pencil. Prove...
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Etching on laid paper.Presumed edition of 50.Initialed and dated in the plate, and signed in pencil. We add the preparatory drawing: Ink on wove sk...
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Woodcut on laid japan paper. Edition of 50, but scarce, as are all of Quillivic's prints. Signed and numbered in pencil.
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Woodcut on laid japan paper. Edition of 50, but scarce, as are all of Quillivic's prints. Signed and numbered in pencil.
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Gypsograph printed in dark-brown-bistre on wove paper, circa 1895-1900. Reference: unidentified or missing in BN-IFF. One of a handful of impressio...
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Gypsograph printed in olive-gray on wove paper. Reference: BN-IFF 8. One of a handful of impressions, scarce as are all prints by the artist. NOTE:...
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La Dame aux Cygnes (original French title) Etching, aquatint, roulette, and drypoint on thin laid paper, 1879.Reference: Bourcard & Goodfriend ...
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Matinée d’Hiver sur les Quais (original French title) Etching, aquatint, roulette, and likely touches of drypoint printed on thick white wove paper...
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Embarcadère à Trouville (original French title) Etching, aquatint, and drypoint on white laid paper.Reference: Bourcard & Goodfriend 126 iii/v....
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La Place des Martyrs et la Taverne du Bagne (original French title) Etching and aquatint printed in two tones on tan wove paper.Reference: Bourcard...
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Lithograph on a large sheet of heavy, white wove paper.Reference: Bourcard & Goodfriend 183 ii/ii.Beautiful and fresh impression, before any of...
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Cochons au Soleil (original French title) Drypoint (mostly with the burr shaved off), aquatint, roulette, and very probably touches of etching prin...
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Le Ramassage des Pommes (descriptive French title) Original drawing, pencil and pen and black ink, with tiny touches of orange on thin paper, laid ...
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Etching printed in brownish-black ink on thick wove paper. Reference: Campbell Dodgson 7. As issued in The Artist Engraver, April 1904.Fine selecti...
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Etching and aquatint printed in brown ink on laid paper. Reference: Deltiel:12, 6th and final state. Very likely a lifetime impression printed by h...
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Etching on laid paper.Reference: Fletcher 195. From the French Church Series, plate 15.Printed in 1927 by Frederick Reynolds.Signed and dated in pe...
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Etching on antique laid paper.Reference: Fletcher 241. From the French Church Series, plate 31.Signed and editioned in pencil. With a red collector...
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Etching and drypoint printed in two tones on simili-Japan paper. Reference: Bourcard & Goodfriend 177. Seventh and final state. A beautiful “sa...
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Etching and aquatint on laid paper. References: Godefroy/Delteil 15 iv/vi, Coppier 12.Before the plate was cut down laterally by almost two inches....
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Etching on chine-collé on this wove paper. References: Béraldi 162, BN-IFF 115. From the series titled Plantes variées gravées à l'eau-forte. Signe...
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