Royal Palm with Turkish Design
SMITH-HARRISON, David
Etching and aquatint printed in color on wove paper.Edition of 135.Signed, titled and numbered in pencil.
While printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Etching and aquatint printed in color on wove paper.Edition of 135.Signed, titled and numbered in pencil.
Color aquatint and etching on Arches wove paper.Artists proof. Edition unknown, but likely small, if any was printed at all. We have never seen a...
View full detailsAquatint and drypoint on simili-Japan paper. Refs: Exsteens 248; Arwas 359. Edition of 100. From the album, “Le Petite Classe”. Numbered “25/100...
View full detailsEtching and aquatint printed in blue ink on simili-Japan paper.Edition unknown, but very likely small. This composition seems scarce. Signed and ti...
View full detailsColor etching and aquatint on simili-Japan paper. Edition unknown, but likely small. Signed and titled in pencil.
Cut-out color aquatint and etching on BFK Rives wove paper, 1970. Reference: Spielmann 282.1. Edition of 100. Signed, titled, and numbered in pencil.
Quatre Iles (original French title)Embossed color aquatint and linear scuffing on wove paper.Printed to the sheet edge, as usual.Trial proof, aside...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper. Reference: Spielmann 282.2. Edition of 100. Signed, titled, and numbered in pencil.
Chiens d’Arrêt (original French title) Aquatint and soft-ground etching printed in color on wove paper.Likely an edition of 50.The dogs depicted ar...
View full detailsBuse Prise au Piège (original French title) Aquatint and etching printed in color on wove paper.Edition unknown, but apparently not very large.Like...
View full detailsColor aquatint and drypoint printed on handmade French paper.Edition of 25. Scarce.Signed and numbered in pencil.Very fine impression in pristine ...
View full detailsVieille Femme d'Oeussant (original French title) Etching and aquatint on laid paper.Reference: BN-IFF 2 (page 211).Printed by "A.Vernant et E. Doll...
View full detailsColor aquatint on laid paper, mounted on japon, circa 1902.Edition unknown, but certainly small, if any was issued at all. We have never encountere...
View full detailsProfil de Nuit (descriptive French title) Etching and aquatint printed in brownish-black ink on tan wove paper, n.d.Edition unknown, but likely ver...
View full detailsLe Jardin des Tuileries (original French title) Color aquatint printed on Arches laid paper.Reference: Merill-Chase 48.Edition of circa 100.Signed ...
View full detailsLa Messe en Bretagne (descriptive French title) Aquatint, etching, roulette & drypoint printed in color on Arches laid paper, circa 1900.Refere...
View full detailsEssai de Frontispice pour « l’Eloge de la Folie » (original French title) Aquatint and etching on simili-japon paper, circa 1896.Reference: Rouir 6...
View full detailsGondel met Opbouw in het Canale Grande, Venetië (original Dutch title) Etching and aquatint on simili-Japan wove paper.References: De Groot 181; Bo...
View full detailsAquatint and etching printed in dark bluish-black ink on wove paper. Edition of 12. Signed, titled, and numbered in pencil.
Fenêtre d’Eté (original French title) Embossed color aquatint and drypoint on wove paper, 1983.Printed to the sheet edge, as usual.Artist’s proof. ...
View full detailsEglantine (original French title) Embossed color aquatint and drypoint on wove paper, 1986.Artist’s proof. Edition unknown.Signed and dated in pen...
View full detailsThe title is not official, but descriptive.Aquatint printed in four colors on Arches wove paper, 1980.Edition of 60.Signed and numbered “30/60” in ...
View full detailsColor viscosity intaglio print on tan wove paper, 1957.Artist's proof. No edition as a such. But clearly used for another edition.Seemingly this ...
View full detailsColor viscosity intaglio on wove paper.Edition of 10.Signed, dated “2/64”, annotated "PARIS", and numbered in pencil.
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