The Donkeys
BOUTET DE MONVEL, Bernard
Les Anes (original French title) Color aquatint and soft-ground etching printed on thick wove paper.References: not in Addade, nor in BN-IFF.State ...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Les Anes (original French title) Color aquatint and soft-ground etching printed on thick wove paper.References: not in Addade, nor in BN-IFF.State ...
View full detailsLa Patineuse (original French title) Color aquatint and soft-ground etching printed in color on thick wove paper. References: neither in the BN-IFF...
View full detailsDouble Prise de Tête à Terre (original French title) Etching, soft-ground and aquatint printed in brownish-black ink on chine-collé on thick wove p...
View full detailsLe Jardin Francais or Elegante a la Crinoline Rouge (original French titles) Color etching and aquatint printed on wove paper. Ref: not in BN-IFF. ...
View full detailsColor etching and aquatint. Refs: DC 366; BN-IFF 5. Monogrammed in the plate. Signed in the lower right platemark in pencil. Annotated "L'heure du ...
View full detailsColor etching and aquatint. Signed and numbered "48/100" in pencil.
La Chaland (original French title) Aquatint and soft-ground etching. Also titled "La Peniche". Printed in color on laid paper. Refs: Addade pg. 4...
View full detailsLes Levriers (original French title) Aquatint and soft-ground etching printed on wove paper.Ref: not in Addade, not in BN-IFF.Edition of 200.Signed...
View full detailsColor aquatint and etching. Ref: BN-IFF 2-5. Edition of 60. Signed, titled, annotated "tire a 60 - 6" and dedicated "a Georges Lepape. son ami" in ...
View full detailsBretonne en Noir (original French title) Soft-ground etching, drypoint and aquatint on thick wove paper. Reference: Morane 58.From the edition of 5...
View full detailsHenri DELAVALEE (1862-1943) La Tour Eiffel la Nuit (original French title) Soft-ground etching and aquatint on simili-japon paper. Reference: Moran...
View full detailsAquatint and soft-ground etching printed in simultaneous color printing (color viscosity) on Arches wove paper.Proof impression, aside from the edi...
View full detailsChiens d’Arrêt (original French title) Aquatint and soft-ground etching printed in color on wove paper.Likely an edition of 50.The dogs depicted ar...
View full detailsTête de Vieille (original French title) Soft-ground etching with touches of aquatint on laid paper. Reference: Morane 45.No known states; from the ...
View full detailsRamasseurs de Bouts de Cigares au Pont de Grenelle (original French title) Aquatint, soft-ground, and etching on laid paper.Reference: Morane 38. ...
View full detailsDans le Tramway Passy-Louvre (original French title) Soft-ground etching and aquatint on wove paper. Reference: Morane 43.Third state impression. ...
View full detailsLa Vieille Femme Fumant sa Pipe (original French title) Soft-ground and line etching, and aquatint on wove paper, 1892.Reference: Morane 48.Edition...
View full detailsLa Vieille (original French titles) Color aquatint and soft-ground etching on thick wove paper.Ref: BN-IFF 4-5; not in Addade.Edition of 50, quite ...
View full detailsAquatint and soft-ground etching printed in color on simili-Japan wove paper.Reference: Novák 177. Edition of 100.Signed in pencil.
Color aquatint and soft-ground etching on wove paper, 1900.Reference: Koehl E110.Edition of 50.Signed and numbered in pencil. Cléo de Mérode (1875-...
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