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The Pond
HOUDARD, Charles
L’Etang (original French title) Color aquatint with touches of etching or drypoint on wove “SPECIAL MBM” paper.Reference: Bibliotheque Nationale - ...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
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L’Etang (original French title) Color aquatint with touches of etching or drypoint on wove “SPECIAL MBM” paper.Reference: Bibliotheque Nationale - ...
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Etching and color aquatint on wove paper.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed, t...
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Aquatint, mezzotint, and drypoint on Arches wove paper.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washingto...
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Vieille Femme (original French title)Drypoint, etching, and aquatint on laid paper.Reference: Tabanelli 43. From the total edition of 40 in the sec...
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Démolitions Rue Lepic (original French title) Etching and aquatint on laid Arches paper.Reference: Delteil 14; BN-IFF 3. Early state before further...
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Aquatint and etching on wove paper. Edition of 100. Signed in pencil.
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Jardin du Luxembourg (original French title) Color etching and aquatint on laid paper. Ref: Goldschmidt 25. Edition of 50. Published by Charles H...
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Tête de Vieille (original French title) Soft-ground etching with touches of aquatint on laid paper. Reference: Morane 45.No known states; from the ...
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Ramasseurs de Bouts de Cigares au Pont de Grenelle (original French title) Aquatint, soft-ground, and etching on laid paper.Reference: Morane 38. ...
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Une Matinée d’Hiver au Quai de l’Hôtel-Dieu (original French title) Etching, drypoint, and aquatint printed in black ink on thick wove paper, 1876...
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Dans le Tramway Passy-Louvre (original French title) Soft-ground etching and aquatint on wove paper. Reference: Morane 43.Third state impression. ...
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Color aquatint and etching on thick wove paper. Published by Alfred Bell & Co Ltd, 6 Old Bond Street, London. Edition unknown, but scarce. Sig...
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Color aquatint and etching on wove paper. Edition of 30. While this is the edition stated by the artist it looks unlikely that it was printed in fu...
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Droom der Aanbidden (original Dutch title) Etching and aquatint printed on thick tan wove paper.Two states, one without the background of the sun’s...
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Adèle préparant le tub et Ketty aux bras levés (original French title) Drypoint, etching, and aquatint on wove Rives paper.Reference: Petrides E. 2...
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Un Conte de Noël (original French title) Color etching and aquatint on wove paper, no date. An artist’s proof. Edition unknown. Cautiously a man le...
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Alter Bauer mit Koteletten, Seitenansich (German title) Etching and aquatint on thick wove paper, no date. Edition unknown, but likely scarce. We h...
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Seigneur Prenez Pitié… (original French title) Aquatint printed in blue and warm-gray inks on wove BFK Rives paper, circa 1918. This plate was poss...
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L’Alsace… (original French title) Aquatint printed in blue ink, with a touch of red in the cockade on simili-Japan paper, April 1916. One of 8 impr...
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L’Hiver à Paris or La Neige à Paris (original French titles) Etching, aquatint, scraper, and drypoint on laid paper.Reference: Bourcard & Goodf...
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La Vieille Femme Fumant sa Pipe (original French title) Soft-ground and line etching, and aquatint on wove paper, 1892.Reference: Morane 48.Edition...
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La Vieille (original French titles) Color aquatint and soft-ground etching on thick wove paper.Ref: BN-IFF 4-5; not in Addade.Edition of 50, quite ...
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La Place Pigalle en 1878 (original French title) Etching, aquatint, and drypoint on Japan paper, 1878.Reference: Bourcard & Goodfriend 129 vi/v...
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