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Fishermen by a River at Dusk
JAQUES, Bertha
Color etching printed on thick wove paper. Edition unknown, probably small. Signed in pencil.
While printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
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Color etching printed on thick wove paper. Edition unknown, probably small. Signed in pencil.
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La Dame aux Cygnes (original French title) Drypoint, etching, aquatint and roulette on laid Arches paper. Reference: Bourcard & Goodfriend 44. ...
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Grenouilles (original French title) Color aquatint on chine paper, 1894.References: Stein and Karshan 36; Boyer and Cate 36.Artist’s proof aside fr...
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Les Voisins de Campagne (original French title) Etching, drypoint and aquatint on wove paper, circa 1878-80.Reference: Bourcard & Goodfriend 14...
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Gondel met Opbouw in het Canale Grande, Venetië (original Dutch title) Etching and aquatint on simili-Japan wove paper.References: De Groot 181; Bo...
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Le Coup de Vent (original French title) Etching and aquatint printed in brownish-black in on laid paper.Reference: Bertin 279.There was an early st...
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L’Etang (original French title) Color aquatint with touches of etching or drypoint on wove “SPECIAL MBM” paper.Reference: Bibliotheque Nationale - ...
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Tête de Vieille (original French title) Soft-ground etching with touches of aquatint on laid paper. Reference: Morane 45.No known states; from the ...
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La Vieille Femme Fumant sa Pipe (original French title) Soft-ground and line etching, and aquatint on wove paper, 1892.Reference: Morane 48.Edition...
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Color aquatint and drypoint on simili-Japan wove paper, 1913.No stated edition, but likely one of just a handful of impressions. All prints by this...
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"Convoi Funèbre au Boulevard de Clichy" (original French title) Etching, aquatint, roulette, and touches of drypoint printed in color, from three p...
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Cochons au Soleil (original French title) Drypoint (mostly with the burr shaved off), aquatint, roulette, and very probably touches of etching prin...
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La Traversée - A Holyday, Rain, Storm and Music (original title) Etching, aquatint, roulette, and drypoint on laid paper.Reference: Bourcard & ...
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La Place des Martyrs et la Taverne du Bagne (original French title) Etching and aquatint printed in two tones on tan wove paper.Reference: Bourcard...
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Embarcadère à Trouville (original French title) Etching, aquatint, and drypoint on white laid paper.Reference: Bourcard & Goodfriend 126 iii/v....
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Le Hibou (original French title) Etching, aquatint, roulette, and drypoint on olive-greenish laid paper, 1893.Reference: Bourcard & Goodfriend ...
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Les Bergeries, Soleil Couchant (original French title) Etching and aquatint printed in warm brownish-black ink on simili-japon wove paper.Reference...
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Le Peintre de Marine (original French title) Etching, aquatint, likely with touches of drypoint, on laid paper.Reference: Bourcard & Goodfriend...
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Matinée d’Hiver sur les Quais (original French title) Etching, aquatint, roulette, and likely touches of drypoint printed on thick white wove paper...
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La Dame aux Cygnes (original French title) Etching, aquatint, roulette, and drypoint on thin laid paper, 1879.Reference: Bourcard & Goodfriend ...
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La Fête National de 30 Juin au Boulevard Clichy (original French title) Etching and aquatint printed in two tones on wove paper, 1878.Reference: Bo...
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