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Three Women at the Market in Tunis (Tunisia)
McCLELLAN POTTER, Louis
Color aquatint and etching printed on wove paper.Edition of 50.Signed and numbered in pencil.
While printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
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Color aquatint and etching printed on wove paper.Edition of 50.Signed and numbered in pencil.
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Les Amants (original French title) Aquatint, etching & drypoint printed on Arches laid paper.References: Arwas 169; BN-IFF 84; Exsteens 150.Fou...
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Femme Assise au Bord de l'Eau (descriptive French title) Aquatint printed on laid paper.Reference: unidentified in BN-IFF.One of only two impressio...
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Color aquatint and etching. Ref: BN-IFF 2-5. Edition of 60. Signed, titled, annotated "tire a 60 - 6" and dedicated "a Georges Lepape. son ami" in ...
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Bretonne en Noir (original French title) Soft-ground etching, drypoint and aquatint on thick wove paper. Reference: Morane 58.From the edition of 5...
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Vieille Femme d'Oeussant (original French title) Etching and aquatint on laid paper.Reference: BN-IFF 2 (page 211).Printed by "A.Vernant et E. Doll...
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Color aquatint on laid paper, mounted on japon, circa 1902.Edition unknown, but certainly small, if any was issued at all. We have never encountere...
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Profil de Nuit (descriptive French title) Etching and aquatint printed in brownish-black ink on tan wove paper, n.d.Edition unknown, but likely ver...
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Color intaglio viscosity print, with mica ink, printed on wove paper.Edition of 120.Signed and numbered in pencil. The artist obtains effects that ...
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Etching and color aquatint on wove paper.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed, t...
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Aquatint, mezzotint, and drypoint on Arches wove paper.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washingto...
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Tête de Vieille (original French title) Soft-ground etching with touches of aquatint on laid paper. Reference: Morane 45.No known states; from the ...
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Ramasseurs de Bouts de Cigares au Pont de Grenelle (original French title) Aquatint, soft-ground, and etching on laid paper.Reference: Morane 38. ...
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Droom der Aanbidden (original Dutch title) Etching and aquatint printed on thick tan wove paper.Two states, one without the background of the sun’s...
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Alter Bauer mit Koteletten, Seitenansich (German title) Etching and aquatint on thick wove paper, no date. Edition unknown, but likely scarce. We h...
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La Vieille Femme Fumant sa Pipe (original French title) Soft-ground and line etching, and aquatint on wove paper, 1892.Reference: Morane 48.Edition...
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La Vieille (original French titles) Color aquatint and soft-ground etching on thick wove paper.Ref: BN-IFF 4-5; not in Addade.Edition of 50, quite ...
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Angélique à Sa Porte (original French title) Soft-ground etching, etching, and aquatint on laid paper. Reference: Morane 15.We present two states o...
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La Femme au Rocking-Chair (original French title) Color aquatint, soft-ground, and etching on laid paper, 1900. Reference: Cate & Grivel 101, F...
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Color aquatint and soft-ground etching on wove paper, 1900.Reference: Koehl E110.Edition of 50.Signed and numbered in pencil. Cléo de Mérode (1875-...
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