Supper of the Apache
LEGRAND, Louis
Le Souper de l’Apache (original French title) Etching and aquatint on simili-japon paper, 1904.References: Arwas 211; Exsteens 191.Published by Gus...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Le Souper de l’Apache (original French title) Etching and aquatint on simili-japon paper, 1904.References: Arwas 211; Exsteens 191.Published by Gus...
View full detailsLes Blanchisseuses (original French title) Color aquatint and etching on simili-japon.References: Arwas 186; Exsteen 163.From the album Faune Paris...
View full detailsLe Chef d’Oeuvre (original French title) Drypoint, aquatint and roulette printed in four colors, à la poupée (yet from two registered plates) on wo...
View full detailsGrenouilles (original French title) Color aquatint on chine paper, 1894.References: Stein and Karshan 36; Boyer and Cate 36.Artist’s proof aside fr...
View full detailsRetour de la Pêche, la Nuit (original French title) Etching and aquatint on laid paper, 1890.Reference: Morane 16.From the edition stated at 50, bu...
View full detailsLe Baptême à Tréboul (original French title) Color aquatint and etching on Arches wove paper.Edition unknown, but like most of the artist’s work s...
View full detailsChiens d’Arrêt (original French title) Aquatint and soft-ground etching printed in color on wove paper.Likely an edition of 50.The dogs depicted ar...
View full detailsBuse Prise au Piège (original French title) Aquatint and etching printed in color on wove paper.Edition unknown, but apparently not very large.Like...
View full detailsPetit Café à Soldats (original French title) Color drypoint and aquatint on laid Arches paper, c. 1906.Ref: BN-IFF 38-116.From the loosely associat...
View full detailsLa Robe Bleue (original French titles) Color aquatint and etching on thick wove paper, 1909.Ref: BN-IFF 2-8; not in Addade.Stated edition of 200 (o...
View full detailsAquatint printed in bluish-black ink on laid paper.Reference: BN-IFF 108. Unlikely edition of 50 in this state. There were at least three states o...
View full detailsTête de Vieille (original French title) Soft-ground etching with touches of aquatint on laid paper. Reference: Morane 45.No known states; from the ...
View full detailsLa Vieille Femme Fumant sa Pipe (original French title) Soft-ground and line etching, and aquatint on wove paper, 1892.Reference: Morane 48.Edition...
View full detailsLa Vieille (original French titles) Color aquatint and soft-ground etching on thick wove paper.Ref: BN-IFF 4-5; not in Addade.Edition of 50, quite ...
View full detailsLa Place Pigalle en 1878 (original French title) Etching, aquatint, and drypoint on Japan paper, 1878.Reference: Bourcard & Goodfriend 129 vi/v...
View full detailsAquatint and soft-ground etching printed in color on simili-Japan wove paper.Reference: Novák 177. Edition of 100.Signed in pencil.
En Bretagne, Eaux-Fortes et Lithographies par Maufra (original French title) Color etching & aquatint on wove paper, 1894.Refs: BN-IFF 11.2; Ca...
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