Who's Afraid or Red, Yellow and Blue
CIESLARCZYK, Adolphe
Color aquatint printed on wove paper. Edition of 40. Published by Jacqueline de Champvallins, Paris. Signed and numbered "35/40" in pencil.
While printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
Color aquatint printed on wove paper. Edition of 40. Published by Jacqueline de Champvallins, Paris. Signed and numbered "35/40" in pencil.
L’Eternel Naufrage (original French title) Color aquatint on wove paper.Edition of 75.Signed and numbered “9/75” in pencil. TO SEE MORE WORKS OF AR...
View full detailsColor aquatint & etching printed on Arches laid paper.Reference: Cate & Grivel 143 (ill. page 115).Edition of 50.
Le Jardin Francais or Elegante a la Crinoline Rouge (original French titles) Color etching and aquatint printed on wove paper. Ref: not in BN-IFF. ...
View full detailsAu Bal (original French title) Color aquatint on wove paper.Small edition of color variants, rare.Signed and numbered in pencil. We have had this ...
View full detailsColor aquatint and etching on Arches wove paper.Artists proof. Edition unknown, but likely small, if any was printed at all. We have never seen a...
View full detailsColor aquatint and drypoint printed on handmade French paper.Edition of 25. Scarce.Signed and numbered in pencil.Very fine impression in pristine ...
View full detailsThe title is not official, but descriptive.Aquatint printed in four colors on Arches wove paper, 1980.Edition of 60.Signed and numbered “30/60” in ...
View full detailsAquatint on chine-collé, highlighted with red ink.Reference: BN-IFF 26.Trial proof, richly inked and dramatically enhanced with red ink. Far more ...
View full detailsPetit Café à Soldats (original French title) Color drypoint and aquatint on laid Arches paper, c. 1906.Ref: BN-IFF 38-116.From the loosely associat...
View full detailsEtching and color aquatint on wove paper.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed, t...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 286.3.Edition of 100. Signed, titled, and numbered in pencil. NOTE:...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper.Reference: Spielmann 286.1.Edition of 100.Signed, titled, and numbered in pencil. NOTE: ...
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