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Cachoum
DORNY, Bertrand
Embossed color aquatint with a touch of drypoint printed on Arches wove paper. Edition of 25 or 4 artist's proofs (hard to decipher). Regulard edit...
View full detailsWhile printmakers have always wanted to present some shading or grayscale in their work, until the discovery of aquatint in the 17th century, doing so was technically very challenging. And with a few notable exceptions, such as in the etchings of Francisco Goya, aquatint, this most painterly of intaglio techniques, remained unpracticed by most printmakers. Aquatint started to gain popularity in the latter part of the 19th century, likely as etching was being rediscovered by Impressionists. These artists were often eager to replicate in their prints the atmospheric qualities found in their paintings. Aquatint, with its granular texture, lends itself to effects that offer an endless range of shading, both in black and white and in color. Because it was practiced so masterfully by artists of the Modern Era, we here at Armstrong Fine Art are true “suckers” for a finely crafted aquatint. Here are a few we have, or have had in the past.
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Embossed color aquatint with a touch of drypoint printed on Arches wove paper. Edition of 25 or 4 artist's proofs (hard to decipher). Regulard edit...
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La Viosne à Pontoise (original French title) Etching, aquatint, and drypoint printed in brown ink on laid Arches paper.References: Koehl E165; Liv...
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La Vague or La Mer (original French titles) Etching and aquatint printed on laid paper.Reference: Cate & Grivel 104 (ill. pg. 122).Edition of 3...
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Color aquatint and soft ground etching on Arches wove paper, 1963.This is likely printed using the Atelier 17 method of simultaneous color printing...
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Chiens d’Arrêt (original French title) Aquatint and soft-ground etching printed in color on wove paper.Likely an edition of 50.The dogs depicted ar...
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Aquatint on chine-collé, highlighted with red ink.Reference: BN-IFF 26.Trial proof, richly inked and dramatically enhanced with red ink. Far more ...
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La Coulée (original French title) Color aquatint and etching on laid paper.Ref: not in BN-IFF.Edition of 50, but like all of this artist’s prints, ...
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Color intaglio viscosity print on wove paper.Edition of 75.Signed and numbered in pencil. The artist obtains effects that resemble velour in the th...
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La Vieille (original French titles) Color aquatint and soft-ground etching on thick wove paper.Ref: BN-IFF 4-5; not in Addade.Edition of 50, quite ...
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La Femme au Rocking-Chair (original French title) Color aquatint, soft-ground, and etching on laid paper, 1900. Reference: Cate & Grivel 101, F...
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La Place des Martyrs et la Taverne du Bagne (original French title) Etching and aquatint printed in two tones on tan wove paper.Reference: Bourcard...
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