Geese
RIPLEY, Aiden Lassell
Etching on laid paper, circa 1930.Edition unknown, but likely small, like most of Ripley’s prints.Signed and titled in pencil.
Etching on laid paper, circa 1930.Edition unknown, but likely small, like most of Ripley’s prints.Signed and titled in pencil.
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Etching on wove paper, no date.Edition of 95.Signed and numbered in pencil.
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Monotype on thin Japan wove paper, 1942.Signed, titled and dated in pencil. Small margins. A small paper loss in the upper left sheet corner.
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Color woodcut printed on thin laid Japanese paper, 1930.Edition of 100.Signed, titled, and numbered in pencil.
Mezzotint on wove paper.Edition was to be of 35 but was likely not completed. Rare.The current work was the artist's last published mezzotint.Signe...
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Woodcut on thin Japan wove paper. Stated edition of 45, but very unlikely to have been printed in full. The artist would have been just 18 years ol...
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Etching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Lithograph on GCM (Rives) wove paper. Reference: Flint 191. Edition of 20. Signed in pencil.
Lithograph on wove paper. Reference: Flint 217. Edition of 15. Signed in pencil.
Etching on wove paper.Reference: Windisch. Cole, and Herbaugh 667. Published by Associated American Artists (AAA), in an edition of 250. Signed in ...
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Lithograph on Rives wove paper, no date. Edition unknown, but likely small if any. Scarce.Signed in pencil.
Lithograph on wove paper. Edition of 90.Signed, titled, and numbered in pencil.
Also know as a Spanish Town Revisited Etching on wove paper. Reference: Fletcher 142. From the Spanish Church Series, plate 2. Edition of 150 Signe...
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Lithograph on wove paper, 1940. Reference: Rose &Quiroz 58. Edition of 35. Prentiss Taylor was an active member of the multidisciplinary art mo...
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Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Wood engraving on thin laid paper. Edition unknown, but likely one of a handful of impressions only. Our colleagues and friends at The Annex Galler...
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Woodcut on thin Japan paper. Edition unknown, but likely one of a handful of impressions only. Aside from a couple of published prints, most woodcu...
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Drypoint on wove paper.Reference: McCarron 62. Second state of two, after crosshatching and contrasting elements were added throughout the plate. T...
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Etching on wove paper.Reference: Retif & Salzer 19.Stated edition 100, but likely not completed. Extremely scarce. We have not found another im...
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Hélène of Septeuil or Enfant au Perroquet Drypoint on laid Van Gelder paper, c. 1890. Reference: Breeskin 134. Very likely a fourth state of five, ...
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Drypoint on laid paper. Reference: McCarron 110. Edition of 41. Martin Lewis loved depicting snow, both in the countryside and in the city. This co...
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Drypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
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