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Tree Manhattan
LEWIS, Martin
Drypoint on laid paper. Reference: McCarron 87. Total edition of 91, including 10 trial proofs.Signed in pencil.
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Drypoint on laid paper. Reference: McCarron 87. Total edition of 91, including 10 trial proofs.Signed in pencil.
Pencil with pale-blue touches on board. Provenance: collection Mrs. Ernest Haskell, Jr; exhibited at Crocker Art Gallery in 1976 retrospective, Sac...
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Very fine pen and black ink drawing on wove paper, no date.This drawing was created for reproduction, but its purpose is as of yet not identified. ...
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Lithograph on wove paper. Edition of 50.The artist apparently made another version of a Parisian window view with the same title. Both are surprisi...
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Etching and engraving on chine-collé on wove paper.Reference: Pousette-Dart 13. Memorial plate to the artist's first wife, Elizabeth Louise. Scatte...
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Etching on laid paper.Reference: Fletcher 195. From the French Church Series, plate 15.Printed in 1927 by Frederick Reynolds.Signed and dated in pe...
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Graphite on wove paper. Signed in pencil.Inscribed with the location.
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Cut-out intaglio (engraving, other tools, aquatint) from multiple plates printed in two colors on wove paper. Artist’s proof. Edition unknown.Sign...
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Simultaneous color printing intaglio (a.k.a. viscosity print) on Arches wove paper. Edition of 100. While Swift only studied at Atelier 17 in Paris...
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Lithograph on wove paper, 1944. Edition of 50.The artist apparently made another version of such a Roman ruin in a Southwestern landscape.Signed, d...
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Lithograph on Rives wove paper. Edition of 40. The artist apparently made another version of such a Roman ruin in a Southwestern landscape. Signed,...
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Etching and aquatint on wove paper. No known edition, but proofs exist including in the University of Syracuse Art Museum collection (see here). Si...
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Drypoint on BFK Rives wove paper. Reference: Zinc 68 (?).Scarce. No known edition. Just a handful of impressions seem to have survived, some signed...
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Etching on thin wove paper. Signed in pencil. Also titled and priced “25” in pencil in the lower left sheet edge in what appears to be the hand of ...
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Wood engraving on thin wove Japan paper. Printed as a New Year’s greetings card for Bertram and Ethel Reibel. The portfolio is included.Signed in p...
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Lithograph printed in two colors on wove paper. Artist’s proof, aside from an edition of 100. An elegant outline drawing in black is overlaid with ...
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Etching and/or drypoint on thin wove Japan paper. Reference: Czestochowski (?). Dedicated “To Anne B Hardin” in pencil, this probably was a New Yea...
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Etching and aquatint in brown ink on Rives paper.Edition of 15.Signed, dated and numbered 12/15 in pencil.
Etching on wove paper.Initialed in the plate at lower left, and pencil signed at lower right.Sheet size: 8 7/8 x 7 5/8 inches.
Each print titled and signed in pencil at the lower margins.Largest size given below, smaller print size is 5 x 5 inches.
Etching on wove paper. Titled and signed in pencil at the lower margins. NOTE: George Arliss (1868-1946) won the 1930 Academy Award (only the seco...
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Wood engraving on wove paper, 1935-37. Reference: Wien 170.From the edition of 200, published by the "American Artists Group", New York. Signed, ti...
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Color intaglio inked à la poupée.Edition of 20 color variants.Signed, titled, and numbered, and annotated in pencil.
Color linocut reduction. Edition of 22. Signed, titled, numbered and annotated in pencil.
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