The Guardian
FULWIDER, Edwin
Lithograph on wove paper. Reference: McIntyre and Kielsmeier p. 21. Edition of 30. Signed and numbered in pencil; with artist’s name dry stamped in...
View full detailsLithograph on wove paper. Reference: McIntyre and Kielsmeier p. 21. Edition of 30. Signed and numbered in pencil; with artist’s name dry stamped in...
View full detailsLithograph on wove paper.Edition of 20. Signed, titled, and annotated “20 imp.” in pencil. Very fine impression in pristine condition.
Cut-out color aquatint and etching on BFK Rives wove paper. Reference: Spielmann 282.2. Edition of 100. Signed, titled, and numbered in pencil.
Lithograph printed in black ink on wove paper.Reference: Fath 80.Edition of 300, but rather scarce today.Published by Associated American Artists,...
View full detailsMezzotint printed in black ink on tan Japan laid paper, 1957.Edition of 100, some impressions numbered, others not. This print has become very sca...
View full detailsLithograph on Basingwerk Parchment paper.Edition unknown, but certainly not large.Signed and titled in pencil.
Lithograph on Basingwerk Parchment paper.Edition unknown, but certainly not large.Signed and titled in pencil.
Aquatint and etching printed in dark bluish-black ink on wove paper. Edition of 12. Signed, titled, and numbered in pencil.
The title is not official, but descriptive.Aquatint printed in four colors on Arches wove paper, 1980.Edition of 60.Signed and numbered “30/60” in ...
View full detailsColor viscosity intaglio print on tan wove paper, 1957.Artist's proof. No edition as a such. But clearly used for another edition.Seemingly this ...
View full detailsColor woodcut on Japan paper. Reference: Bakker 111. Edition unknown. Trimmed by the artist, close to the image, so as to focus on the composition,...
View full detailsColor woodcut on ivory laid Japan paper, circa 1910. Edition of 100. Signed, titled, and numbered in pencil. Image: 10 x 6 ⅞ inches. The faintest ...
View full detailsMezzotint printed in black ink on laid paper.Edition of 250. Rather scarce today.Published by Associated American Artists, New York.Signed and tit...
View full detailsEtching printed in black in with warm plate tone on wove paper, 1948. Edition unknown, but certainly small, if any was printed at all. This one a ...
View full detailsLithograph on wove paper.Edition unknown, but certainly of less than 50.Titled and signed in pencil.Very fine impression in pristine condition.
Drypoint or etching on Japan wove paper.Edition of 100.Signed and initialed, titled, editioned, dedicated “To Revere Whistehuff”, and dated “June 1...
View full detailsColor intaglio viscosity print, with mica ink, printed on wove paper.Edition of 120.Signed and numbered in pencil. The artist obtains effects that ...
View full detailsColor intaglio viscosity print on wove paper.Edition of 75.Signed and numbered in pencil. The artist obtains effects that resemble velour in the th...
View full detailsReference: Kraeft 79.Edition of 100.Signed and annotated 'For Esta Nichols' in pencil. Very fine impression in near perfect condition, aside from s...
View full detailsLynd WARD (1905-1985) Undercliff Wood engraving on thin white wove paper, 1948. Edition of 200, published by The Woodcut Society, New York. In orig...
View full detailsLithograph printed on wove paper, no date.Edition of 50.Signed, titled, and annotated in pencil.Bearing the estate stamp on the verso.
Aquatint and etching printed in blue ink on wove paper.Edition unknown; ours one of 10 artist’s proofs.The border surrounding the composition is se...
View full detailsLithograph on wove paper, no date. Edition unknown, but if there was any, it certainly was small. The format suggests it could have been intended...
View full detailsWoodcut printed in black ink on thin laid Japanese paper, 1934 or 1935. From a series of 10 woodcuts titled A History of Illinois in Woodcuts. Edit...
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