Lincoln Park Marabous, Chicago
SHARP, William
Aquatint and etching on thick tan wove paper.Signed in pencil. Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentleman...
View full detailsAquatint and etching on thick tan wove paper.Signed in pencil. Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentleman...
View full detailsInk and graphite on wove sketchbook paper. The sheet folded twice vertically, likely to fit in a breast pocket. Torn top left sheet corner. Overall...
View full detailsEtching on thin wove japan paper.Edition of 50.This is thought to be the artist's first etching.Signed, titled, numbered and dated in pencil. Prove...
View full detailsEtching on laid paper.Presumed edition of 50.Initialed and dated in the plate, and signed in pencil. We add the preparatory drawing: Ink on wove sk...
View full detailsEtching on "papier verdâtre" (pale green) laid paper. Reference: Fletcher 384 iii/iii. Signed and dated in pencil. A miracle of miniature printmak...
View full detailsEtching and engraving on chine-collé on wove paper.Reference: Pousette-Dart 13. Memorial plate to the artist's first wife, Elizabeth Louise. Scatte...
View full detailsAlso know as a Spanish Town Revisited Etching on wove paper. Reference: Fletcher 142. From the Spanish Church Series, plate 2. Edition of 150 Signe...
View full detailsEtching on wove paper.Reference: Windisch. Cole, and Herbaugh 667. Published by Associated American Artists (AAA), in an edition of 250. Signed in ...
View full detailsEtching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Etching on laid paper, circa 1930.Edition unknown, but likely small, like most of Ripley’s prints.Signed and titled in pencil.
Etching on wove paper. Edition of 60. Part of a set of prints commissioned by the Sheffield Steel Corporation in 1937. Signed, numbered, and titl...
View full detailsColor aquatint and etching on laid paper, circa 1895. Edition of 50.Signed and numbered in pencil. Provenance: the estate of the artist, thence by ...
View full detailsAquatint and etching on wove paper. Edition of 100. Signed in pencil.
Reference: Kraeft 79.Edition of 100.Signed and annotated 'For Esta Nichols' in pencil. Very fine impression in near perfect condition, aside from s...
View full detailsEtching on cream-colored wove paper.Reference: Mary Ryan 59.Edition of circa 50.Signed in pencil
Aquatint and etching printed in dark bluish-black ink on wove paper. Edition of 12. Signed, titled, and numbered in pencil.
Cut-out color aquatint and etching on BFK Rives wove paper. Reference: Spielmann 282.2. Edition of 100. Signed, titled, and numbered in pencil.
Etching and aquatint printed in color on wove paper.Edition of 135.Signed, titled and numbered in pencil.
Etching and aquatint printed in color on wove paper.Edition of 200.Signed, titled and numbered in pencil.
Etching on Rives wove paper.Edition of 332.From a portfolio of prints titled Princeton University, which contained seven etchings.Signed in pencil.
Hand colored etching on wove paper.Edition of 12. Want to see more work by Bobbi Angell?Visit our website dedicated to contemporary prints, Mesh ...
View full detailsEtching and aquatint printed on Hahnemühle Copperplate Bright White wove paper.Edition of 120, published by the Madison Print Club.There were a fur...
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