Roman Forum
HOOVER, Ellison
Lithograph on wove paper, 1944. Edition of 50.The artist apparently made another version of such a Roman ruin in a Southwestern landscape.Signed, d...
View full detailsLithograph on wove paper, 1944. Edition of 50.The artist apparently made another version of such a Roman ruin in a Southwestern landscape.Signed, d...
View full detailsEtching on "papier verdâtre" (pale green) laid paper. Reference: Fletcher 384 iii/iii. Signed and dated in pencil. A miracle of miniature printmak...
View full detailsDrypoint on laid paper. Reference: McCarron 87. Total edition of 91, including 10 trial proofs.Signed in pencil.
Drypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
View full detailsDrypoint on wove paper.Reference: McCarron 62. Second state of two, after crosshatching and contrasting elements were added throughout the plate. T...
View full detailsLithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Etching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Lynd WARD (1905-1985) Undercliff Wood engraving on thin white wove paper, 1948. Edition of 200, published by The Woodcut Society, New York. In orig...
View full detailsReference: Kraeft 79.Edition of 100.Signed and annotated 'For Esta Nichols' in pencil. Very fine impression in near perfect condition, aside from s...
View full detailsAquatint and etching printed in dark bluish-black ink on wove paper. Edition of 12. Signed, titled, and numbered in pencil.
Lithograph on Basingwerk Parchment paper.Edition unknown, but certainly not large.Signed and titled in pencil.
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