Belisario Ramon Francisco Contreras y Chavez
WILLIAMS, Keith Shaw
Ink and graphite on wove sketchbook paper. The sheet folded twice vertically, likely to fit in a breast pocket. Torn top left sheet corner. Overall...
View full detailsInk and graphite on wove sketchbook paper. The sheet folded twice vertically, likely to fit in a breast pocket. Torn top left sheet corner. Overall...
View full detailsLithograph on wove paper, 1944. Edition of 50.The artist apparently made another version of such a Roman ruin in a Southwestern landscape.Signed, d...
View full detailsDrypoint on laid paper. Reference: McCarron 87. Total edition of 91, including 10 trial proofs.Signed in pencil.
Drypoint on wove paper.Reference: McCarron 62. Second state of two, after crosshatching and contrasting elements were added throughout the plate. T...
View full detailsLithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Also know as a Spanish Town Revisited Etching on wove paper. Reference: Fletcher 142. From the Spanish Church Series, plate 2. Edition of 150 Signe...
View full detailsLithograph on wove paper. Edition of 90.Signed, titled, and numbered in pencil.
Etching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Woodcut on thin Japan wove paper. Stated edition of 45, but very unlikely to have been printed in full. The artist would have been just 18 years ol...
View full detailsIntaglio, most definitely aquatint mixed with other techniques, printed with embossing in simultaneous color printing (using various viscosities of...
View full detailsColor aquatint printed on wove paper.Reference: Season, Myers & Windisch 231.Published by Associated American Artists (AAA), in an edition of 1...
View full detailsColor aquatint on silver-foil paper, circa 1975. Edition of 30. The artist, who is typically referred to as SICA, exhibited her prints, which she ...
View full detailsColor pencil on light gray wove paper, circa 1910. A young boy sits on Central Park’s rocks, picturing himself in some wild land. Were it not fo...
View full detailsSilver-gelatin print, no date. Edition unknown. From a series of images titled Industrial Landscapes - Cleveland by the artist A very fine impr...
View full detailsAquatint and etching on wove paper. Edition of 100. Signed in pencil.
Lithograph printed in black ink on wove paper.Reference: Fath 80.Edition of 300, but rather scarce today.Published by Associated American Artists,...
View full detailsCut-out color aquatint and etching on BFK Rives wove paper. Reference: Spielmann 282.2. Edition of 100. Signed, titled, and numbered in pencil.
Lithograph on Strathmore Artist wove paper.Reference: McIntyre and Kielsmeier p. 29. Edition of 30. Signed and numbered in pencil; with artist’s na...
View full detailsLinocut on thin Japan wove paper.From a small edition of less than 20. Titled and signed “L. Hall” in pencil. Very fine impression excellent condit...
View full detailsEtching and aquatint printed in color on wove paper.Edition of 200.Signed, titled and numbered in pencil.
Etching on Rives wove paper.Edition of 332.From a portfolio of prints titled Princeton University, which contained seven etchings.Signed in pencil.
Watercolor and pencil on wove paper. Want to see more work by John W. Cline?Visit our website dedicated to contemporary prints, Mesh Art Gallery.
Georges SCHREIBER (1904-1977) Lithograph on wove paper.Edition of 250.Published by Associated American Artists.Signed in pencil.
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