The Garden
SCHULZE, John H.
Silver-gelatin print, no date. Edition unknown.Signed and titled in pencil on the verso. A very fine impression on semi-glossy paper, in very fine ...
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Silver-gelatin print, no date. Edition unknown.Signed and titled in pencil on the verso. A very fine impression on semi-glossy paper, in very fine ...
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Color stencil (pochoir) on wove paper. This print was created under the auspices of the "Southern California Art Project", which was funded by the ...
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Lithograph printed on Basingwerk Parchment wove paper. Reference: Mason 150. Edition of 49. From the series of 15 drawings illustrating "The Wind B...
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Color linocut on Stonehenge wove paper. Edition of 100. Signed, titled, and numbered in pencil.
Color linocut on Stonehenge wove paper. Edition of 50. Signed, titled, and numbered in pencil.
Color linocut on Stonehenge wove paper.Edition of 100.Signed, titled, and numbered in pencil.
Color linocut on Stonehenge wove paper.Edition of 100.Signed, titled, and numbered in pencil.
Color intaglio inked à la poupée. Edition of 15.Signed, titled, and numbered, and annotated in pencil.
Each print titled and signed in pencil at the lower margins.Largest size given below, smaller print size is 5 x 5 inches.
Lithograph on Rives wove paper. No stated edition, and scarce. It isn’t clear that any editions were ever printed for any of the artist’s few litho...
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Lithograph printed in two colors on wove paper. Artist’s proof. It seems unlikely that an edition was ever printed of this work. The artist drafted...
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Lithograph on wove paper. Edition of 12.Agnes Tait's output wasn’t large and most of her editions were small. This is an extremely scarce lithograp...
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Etching on "papier verdâtre" (pale green) laid paper. Reference: Fletcher 384 iii/iii. Signed and dated in pencil. A miracle of miniature printmak...
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Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Also know as a Spanish Town Revisited Etching on wove paper. Reference: Fletcher 142. From the Spanish Church Series, plate 2. Edition of 150 Signe...
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Lithograph on wove paper. Edition of 90.Signed, titled, and numbered in pencil.
Lithograph on wove paper. Reference: Flint 217. Edition of 15. Signed in pencil.
Lithograph on GCM (Rives) wove paper. Reference: Flint 191. Edition of 20. Signed in pencil.
Etching on laid paper, circa 1930.Edition unknown, but likely small, like most of Ripley’s prints.Signed and titled in pencil.
Intaglio, most definitely aquatint mixed with other techniques, printed with embossing in simultaneous color printing (using various viscosities of...
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Woodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
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Color aquatint on silver-foil paper, circa 1975. Edition of 30. The artist, who is typically referred to as SICA, exhibited her prints, which she ...
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Etching on wove paper. Edition of 60. Part of a set of prints commissioned by the Sheffield Steel Corporation in 1937. Signed, numbered, and titl...
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Color aquatint on wove paper.Edition unknown, but certainly small, like all the artist’s work. A small paper tab (which we add), handwritten in cur...
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