$350
The Masquerade
SWIFT, Dick
Simultaneous color printing intaglio (a.k.a. viscosity print) on Arches wove paper. Edition of 100. While Swift only studied at Atelier 17 in Paris...
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color
- beige
- bistre
- black
- black and white
- blue
- brown
- burnt sienna
- color
- colorful
- contrast
- dark
- dark blue
- gold
- gray
- green
- inky
- muted
- ochre
- olive
- olive green
- orange
- pink
- purple
- red
- red oxide
- sepia
- silver
- subtle
- tan
- teal
- warm
- yellow
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crica
era
- 1880-1918
- 1880_1918
- 1918-1940
- 1918/1940
- 1940-1945
- 1945-1980
- 2005-2010
- after 1980
- contemporary
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exhibition
format
location
- Cleveland
- France
- Italy
- Maine
- New York City
- North Africa and Middle East
- Paris
- San Francisco
- Spain
- United States
- Vermont
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nationality
publisher
- AAA
- Associated American Artists
- Atelier 17
- Madison Print Club
- The Woodcut Society of New York
- Topaz Editions
scale
scape
- abstract
- animal
- animated
- bird's eye view
- cafe restaurant
- cityscape
- countryside
- desolate
- factory
- field
- figure
- floral arrangement
- garden
- industrial
- interior
- invention
- landscape
- portrait
- quiet
- river
- seascape
- still life
- street
- town
- waterscape
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style
- abstract
- abstracting
- abstraction
- art deco
- ashcanschool
- belle epoque
- cubism
- erotica
- etching
- etching revival
- expressionism
- Fauve
- hyperrealism
- impressionism
- japonisme
- mid century
- minimalism
- modernism
- nabis
- negative space
- negative/space
- painterly
- Precisionist
- realism
- realistic
- regionalism
- Romanticism
- social realism
- surrealism
- symbolism
- traditional etching
- Ukiyo-E
- WPA
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subject
- abstract
- African-American portraits
- American history
- angel
- animal
- architecture
- baby
- beach
- beauty
- bedouin
- bird
- birds
- boat
- body of water
- building
- buildings
- butterfly
- cafe bar
- cathedral
- child
- chore
- church
- circus
- city
- city life
- commerce
- construction
- contemplation
- crowd
- desolate
- downtrodden
- dress skirt
- dunes
- dusk
- electric light
- erotic
- ethnographic
- exotic
- face
- face/bust
- faith
- farm
- farmer
- field
- figure
- fishing
- flora
- floral
- forest
- garden
- girl
- graceful
- hat
- historic building
- history
- hunting
- industry
- interior
- intimacy
- invention
- jungle
- labor
- landscape
- laundry
- leaf
- leisure
- life
- light
- love
- man
- marriage
- maternity
- memorial
- modern
- modern woman
- mother
- mountain
- music
- mythology
- negative space
- night life
- nude
- old people
- people
- plant
- poetry
- public park
- public transportation
- religion
- river
- rocks
- romance
- ruins
- sea
- seaside
- sky
- smoke
- social
- social commentary
- space
- spirituality
- stilllife
- street
- sunset sunrise
- technology
- train
- transcendence
- transportation
- tree
- trees
- view
- village
- war
- water
- whimsical
- window
- woman
- work
- zen garden
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technique
- aquatint
- color
- color aquatint
- color drypoint
- color etching
- color intaglio
- color photography
- color viscosity
- color woodcut
- drawing
- drypoint
- engraving
- etching
- hand colored etching
- ink drawing
- intaglio
- linocut
- litho
- lithograph
- mezzotint
- monotype
- pastel drawing
- pen_and_ink_wash
- photography
- relief
- screenprint
- silk screen
- silkscreen
- silver-gelatin print
- watercolor
- wood engraving
- woodcut
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weather
- cloud
- cloud sky
- cloud/sky
- dusk dawn
- foggy
- night
- sky
- spring
- storm
- summer
- sun
- sunny
- sunset sunrise
- water reflection
- wind
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year
American Artists
Once upon a time, Armstrong Fine Art was known for showing exclusively French Prints. Over the years we added some contemporary artists, then some other European artist, and then later on a few American artists. Today, we have dozens of works by artists who lived, worked, were born, or emigrated to the United States of America. Here is an overview of what we have at the moment by such artists.
$350
Behind the Pines
COWLEY, Gil
This work is on hold for a client. Please email to check availability. Color intaglio and viscosity print on wove paper, February 1964.Edition of 1...
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