L'ancien Louvre d'après une peinture de Zeeman, 1651
MERYON, Charles
Etching on thick wove paper.Refences: Delteil/Wright 53 v/vi; Schneiderman 96 v/vii.Bearing a butterfly stamp (collector's stamp?) in the lower rig...
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Etching on thick wove paper.Refences: Delteil/Wright 53 v/vi; Schneiderman 96 v/vii.Bearing a butterfly stamp (collector's stamp?) in the lower rig...
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Etching on chine-collé on this wove paper. References: Béraldi 162, BN-IFF 115. From the series titled Plantes variées gravées à l'eau-forte. Signe...
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Etching on chine-collé en thick wove paper. Reference: Guiffrey 205; Béraldi page 188. Lower right sheet corner torn off, in wide margins, well awa...
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Color etching and aquatint. Refs: DC 366; BN-IFF 5. Monogrammed in the plate. Signed in the lower right platemark in pencil. Annotated "L'heure du ...
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Etching, drypoint and roulette printed on laid Arches paper, after a painting by John Constable, 1879. Ref: Bourcard & Goodfriend 145 iv/vii. A...
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Color etching and aquatint. Signed and numbered "48/100" in pencil.
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Etching on smooth wove paper (simili-japon or simili-parchment). With letters. Publisher unknown. Edition unknown, but scarce.Provenance: Sagot-Le ...
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Etching on thick wove paper.Reference: Bliss 503 ii/ix.Before the etched borderline, before the plate was cut down, and before the composition was ...
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Etching, aquatint, and drypoint printed in color on wove paper. Reference: Tabanelli 98. From the edition of 30 printed in color. According to Taba...
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Etching on laid paper, circa 1905-1910. Reference: not in BN-IFF. Stated edition of 30. Son of Tony Beltrand, who died very young. The work is ext...
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Place de l'église St Pierre à Montmartre (alternate title) Color aquatint and soft-ground etching on laid japon paper. Reference: listed as missing...
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Lithograph printed in bistre on japon volant (tissue thin Japan) wove paper. This large composition is related to the smaller color composition Gué...
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Etching and aquatint on laid paper. References: Godefroy/Delteil 15 iv/vi, Coppier 12.Before the plate was cut down laterally by almost two inches....
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Etching with engraving on laid J Kool watermarked paper. References: Schneiderman 23 v/x; Delteil-Wright 28 v/x. Superb impression, before letters...
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Etching on laid paper. Reference: Delteil 14 ii/ii. Superb impression of Millet's rarest, and arguably best etching. Large margins (tips of two co...
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Labor or Le Paysan à la Houe (original titles) Etching on parchment (also known as vellum).References: Beraldi 345; BN-IFF 390.After a composition ...
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Paysage en Toscane (original French title) Etching on laid paper, no date.Reference: Bertin 542.Signed in pencil, and bearing the artist’s red mono...
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Monotyped etching or drypoint, reworked in ink on laid paper.Reference: not in BN-IIF, which seems to have very little of Gabriel's etched oeuvre.U...
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Etching on chine-collé on white wove paper. Reference: Van Gelder 107 only state. As published in Revue Fantaisiste, September 1861. Faint foxing i...
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Etching on toned wove paper.References: LeBlanc 51; Béraldi 214-295. Titled, dated, signed and annotated in ink in the lower plate margin. Small ma...
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Etching on laid paper. Reference: Malassis et Thibaudeau 223 ii/v. One of 6 in this state, according to the Bliss Collection catalog. But also anno...
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Etching on chine-collé on thick wove paper. References: Beraldi supplement 36; not in BN-IFF. Le Blanc mentioned that this plate was destroyed befo...
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Etching on laid japon paper.Reference: Delteil 124 between i/ii and ii/iii.Almost certainly a state between Delteil's first and second, with the mo...
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Etching on wove paper. Reference: Delteil 241 ix/ix. Signed in pencil.
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