8:30 Express
CALAPAI, Letterio
Woodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
View full detailsWoodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
View full detailsUn Gueux (original French title) Etching and aquatint on laid paper. Reference: Tabanelli 10. On impression in black ink only. Impressions in color...
View full detailsEtching on wove paper. References: Beraldi 10; Lalanne 8; BN-IFF 9-4. One of four prints for the "Société des Aquafortistes", 2nd year, 1865-66. I...
View full detailsColor aquatint on silver-foil paper, circa 1975. Edition of 30. The artist, who is typically referred to as SICA, exhibited her prints, which she ...
View full detailsPastel on paper, mounted on canvas, mounted on thick board.A dynamic composition of this performance hall mainstay of Parisian culture at the end o...
View full detailsAu Café Concert (descriptive French title)Etching on laid paper.Ref: not in BN-IFF.Signed and annotated by the artist.
A l’Opéra: Madame Caron dans Faust (original French title) Lithograph printed in olive-green ink on wove paper. References: Delteil 49; Wittrock 39...
View full detailsLes Raseurs (original French title)Lithograph.References: Vallotton-Goerg 42.Numbered and signed by the artist in blue pencil.From the edition of 1...
View full detailsEtching on cream-colored wove paper.Reference: Mary Ryan 59.Edition of circa 50.Signed in pencil
Etching on wove paper.Reference: Windisch. Cole, and Herbaugh 667. Published by Associated American Artists (AAA), in an edition of 250. Signed in ...
View full detailsDrypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
View full detailsEscargots d’Omnibus (original French title) Lithograph printed in black ink on wove paper.Ref: BN-IFF 9. Edition of 120. Also reproduced in the De...
View full detailsPencil, ink, and watercolor sketch on thin wove paper. Initialed in pencil, lower left. With an unidentified butterfly collector's mark in the lo...
View full detailsDrypoint and aquatint on simili-japon wove paper. Signed in pencil. Light surface soiling, mostly in the margins.
Drypoint printed on Arches laid paper. Reference: Tabanelli 126. One of only a handful impressions of this print, for which there was no edition. S...
View full detailsCheval de Fiacre (original French title) Ink and pencil on thick wove paper, ca. 1900.A preparatory drawing (numbered “24”in blue crayon) for an un...
View full detailsKatten (original Dutch title) Woodcut on wove paper.As published in the loose-sheet portfolio titled 15 Houtsneden door Victor Delhez. From a state...
View full detailsColor aquatint and etching on Arches wove paper.Artists proof. Edition unknown, but likely small, if any was printed at all. We have never seen a...
View full detailsPlace Clichy (original French title) Reference: Bouvet 88.Edition of 100.
Contraste (original French title) Drypoint printed on thick wove paper.Reference: Tabanelli 25.One of few artists proofs in the second state of two...
View full detailsDrypoint & sand-ground on laid paper. Ref: McCarron 83. Edition of 242. Published by the Print Club of Cleveland. Signed in pencil. Pristine co...
View full detailsInk wash with touches of white gouache, watercolor, and crayon or chalk, drawn on the verso of a sheet of thin wove paper, with a French architectu...
View full detailsColor aquatint on laid paper, circa 1907. Reference: Merrill Chase 27. Likely an edition of 100. Signed in crayon on the image, and numbered below ...
View full detailsDémolitions Rue Lepic (original French title) Etching and aquatint on laid Arches paper.Reference: Delteil 14; BN-IFF 3. Early state before further...
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