8:30 Express
CALAPAI, Letterio
Woodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
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Woodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
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Un Gueux (original French title) Etching and aquatint on laid paper. Reference: Tabanelli 10. On impression in black ink only. Impressions in color...
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Etching on wove paper. References: Beraldi 10; Lalanne 8; BN-IFF 9-4. One of four prints for the "Société des Aquafortistes", 2nd year, 1865-66. I...
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Color aquatint on silver-foil paper, circa 1975. Edition of 30. The artist, who is typically referred to as SICA, exhibited her prints, which she ...
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Pastel on paper, mounted on canvas, mounted on thick board.A dynamic composition of this performance hall mainstay of Parisian culture at the end o...
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Au Café Concert (descriptive French title)Etching on laid paper.Ref: not in BN-IFF.Signed and annotated by the artist.
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A l’Opéra: Madame Caron dans Faust (original French title) Lithograph printed in olive-green ink on wove paper. References: Delteil 49; Wittrock 39...
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Les Raseurs (original French title)Lithograph.References: Vallotton-Goerg 42.Numbered and signed by the artist in blue pencil.From the edition of 1...
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Etching on wove paper.Reference: Windisch. Cole, and Herbaugh 667. Published by Associated American Artists (AAA), in an edition of 250. Signed in ...
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Drypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
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Escargots d’Omnibus (original French title) Lithograph printed in black ink on wove paper.Ref: BN-IFF 9. Edition of 120. Also reproduced in the De...
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Pencil, ink, and watercolor sketch on thin wove paper. Initialed in pencil, lower left. With an unidentified butterfly collector's mark in the lo...
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Drypoint and aquatint on simili-japon wove paper. Signed in pencil. Light surface soiling, mostly in the margins.
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Drypoint printed on Arches laid paper. Reference: Tabanelli 126. One of only a handful impressions of this print, for which there was no edition. S...
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Cheval de Fiacre (original French title) Ink and pencil on thick wove paper, ca. 1900.A preparatory drawing (numbered “24”in blue crayon) for an un...
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Etching on thin wove paper, circa 1920. Signed in pencil. Also titled and priced “16.00” in pencil in the lower left sheet edge in what appear...
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Katten (original Dutch title) Woodcut on wove paper.As published in the loose-sheet portfolio titled 15 Houtsneden door Victor Delhez. From a state...
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Color aquatint and etching on Arches wove paper.Artists proof. Edition unknown, but likely small, if any was printed at all. We have never seen a...
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Place Clichy (original French title) Reference: Bouvet 88.Edition of 100.
Contraste (original French title) Drypoint printed on thick wove paper.Reference: Tabanelli 25.One of few artists proofs in the second state of two...
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Drypoint & sand-ground on laid paper. Ref: McCarron 83. Edition of 242. Published by the Print Club of Cleveland. Signed in pencil. Pristine co...
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Ink wash with touches of white gouache, watercolor, and crayon or chalk, drawn on the verso of a sheet of thin wove paper, with a French architectu...
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Color aquatint on laid paper, circa 1907. Reference: Merrill Chase 27. Likely an edition of 100. Signed in crayon on the image, and numbered below ...
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Démolitions Rue Lepic (original French title) Etching and aquatint on laid Arches paper.Reference: Delteil 14; BN-IFF 3. Early state before further...
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