Sunlight on Stone, Caudebec-en-Caux
ARMS, John Taylor
Etching on antique laid paper.Reference: Fletcher 241. From the French Church Series, plate 31.Signed and editioned in pencil. With a red collector...
View full detailsEtching on antique laid paper.Reference: Fletcher 241. From the French Church Series, plate 31.Signed and editioned in pencil. With a red collector...
View full detailsColor woodcut on thick off-white laid paper.References: This work is not listed in Bakker's 1989 and 1990 retrospective catalogs on the artist.Edit...
View full detailsLithograph on cream wove paper printed in sepia ink. Reference: Quiroz 31. Edition of 20. Titled, numbered, signed and dated in pencil. Very fine i...
View full detailsLithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Lithograph on white wove paper, 1936.Exact edition unknown, but less than 200.Published by American Artists Group, New York, with their logo printe...
View full detailsColor woodcut on very thin wove Japan paper. Ref: Mason & Mason 59.This composition is used as the back cover illustration for the Masons' book...
View full detailsWoodcut on thin Japan, mounted by four corners onto wove paper. Edition of 50. Signed, titled and numbered in pencil.
Le Beguin – Anais (original French title) Etching on laid Van Gelder Zonen paper.Reference: Fletcher 33.Second state of four, before the plate was ...
View full detailsMezzotint printed in black ink on tan Japan laid paper, 1957.Edition of 100, some impressions numbered, others not. This print has become very sca...
View full detailsLithograph printed on wove paper, no date.Edition of 50.Signed, titled, and annotated in pencil.Bearing the estate stamp on the verso.
Lithograph on wove paper. Edition of 50.The artist apparently made another version of a Parisian window view with the same title. Both are surprisi...
View full detailsLithograph on wove paper, no date. Edition unknown, but if there was any, it certainly was small. The format suggests it could have been intended...
View full detailsWoodcut on China paper. Published by the Woodcut Society (Kansas City), 1950. Edition of 200. Signed and titled in pencil. Image: 11 x 8 ⅜ inches. ...
View full detailsWerner DREWES (German-American, 1899-1985) The Green Moon Color woodcut on Japanese paper.Reference: Rose 308.Edition of 30.Signed, numbered and da...
View full detailsLithograph on wove paper. Reference: McIntyre and Kielsmeier p. 21. Edition of 30. Signed and numbered in pencil; with artist’s name dry stamped in...
View full detailsLithograph on Basingwerk Parchment paper.Edition unknown, but certainly not large.Signed and titled in pencil.
Lithograph printed in black ink on wove paper.Reference: Fath 80.Edition of 300, but rather scarce today.Published by Associated American Artists,...
View full detailsSimultaneous color printing intaglio (a.k.a. viscosity print) on Arches wove paper. Edition of 100. While Swift only studied at Atelier 17 in Paris...
View full detailsWoodcut printed in black ink on thin laid Japanese paper, 1934 or 1935. From a series of 10 woodcuts titled A History of Illinois in Woodcuts. Edit...
View full detailsLithograph on BFK Rives wove paper.Edition of 200.Published by the now defunct Topaz Editions, Tampa, Florida, in 1891.Bearing two blindstamps in t...
View full detailsLithograph on wove paper. Edition of 90.Signed, titled, and numbered in pencil.
Etching on wove paper.Reference: Retif & Salzer 19.Stated edition 100, but likely not completed. Extremely scarce. We have not found another im...
View full detailsDrei Löwen (original German title) Pochoir on tan wove paper.Edition unknown, but likely small.Signed and titled in pencil.
Lithograph on Montval laid paper.Edition 250. Printed by Adolphe Braun & Co, Paris.Signed in pencil. Creative and elegant use of white-line scr...
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