
Brazilian Builders
ALLEN, James E.
Etching on cream-colored wove paper.Reference: Mary Ryan 59.Edition of circa 50.Signed in pencil
Etching on cream-colored wove paper.Reference: Mary Ryan 59.Edition of circa 50.Signed in pencil
Drypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
View full detailsDrypoint & sand-ground on laid paper. Ref: McCarron 83. Edition of 242. Published by the Print Club of Cleveland. Signed in pencil. Pristine co...
View full detailsDrypoint on wove paper.Reference: McCarron 62. Second state of two, after crosshatching and contrasting elements were added throughout the plate. T...
View full detailsPrentiss TAYLOR (1907-1991) Flooded Quarry Lithograph on wove paper.Reference: Rose 41.Edition of 25.Signed, titled, dated and editioned in pencil.
Lithograph on wove paper, 1930. Published by The Print Club of Cleveland, their 8th presentation print.Edition of 230. Two men sit in bowler hats o...
View full detailsColor woodcut on wove paper, 1920.Reference: BN-IFF 32.Plate 14 from the series of 16 woodcuts, titled Vues de Paris, published by L. Rouart.Editio...
View full detailsDrypoint printed in greenish black ink on wove.Reference: McCarron 75.Edition is of 100.One of only a few impressions printed in greenish-black ink...
View full detailsLe Vendeur de Chiens (original French title)The Dog Seller (alternate English title) Etching on simili-japon wove paper.Reference: Boutitie 305.Edi...
View full detailsGabriel Belot (1882 - 1962) L’Ile Saint-Louis or Le Bac à Sable (original French titles) Woodcut on thin japon paper, hinged to a support sheet.Pos...
View full detailsLa Tamise à Londres (original French title) Woodcut “en camaieu” (black, gray, and pale-blue) on thin laid Japan paper.Reference: BN-IFF 86.Two imp...
View full detailsDrypoint on laid paper. Reference: McCarron 87. Total edition of 91, including 10 trial proofs.Signed in pencil.
Drypoint on laid paper. Reference: McCarron 110. Edition of 41. Martin Lewis loved depicting snow, both in the countryside and in the city. This co...
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