In the Space
MASTRO-VALERIO, Alessandro
Wood engraving on smooth wove paper.Presentation print no. 26 print from The Woodcut Society, Alexandria, VA.Complete, with the original presentati...
View full detailsWood engraving on smooth wove paper.Presentation print no. 26 print from The Woodcut Society, Alexandria, VA.Complete, with the original presentati...
View full detailsEn Plein Soleil (original French title) Etching and drypoint printed on laid paper.Reference: Wentworth 54.“Bon à Tirer” impression; the impression...
View full detailsLithograph on wove paper, 1940. Reference: Rose &Quiroz 58. Edition of 35. Prentiss Taylor was an active member of the multidisciplinary art mo...
View full detailsIndécision (original French title) Lithograph on simili-japon paper.Published by the Société des Peintres-Lithographes, for one of their albums.A d...
View full detailsEtching on BFK Rives wove paper. Reference: Fitch-Febvrel 38. Edition of 90. Signed, titled, dated, and numbered in pencil.
La Maison de Jean Palfijn Gand (original French title) Etching on laid Van Gelder Zonen paper.Reference : Le Roy 35.Finald state. Editon unknown, ...
View full detailsLithograph on wove paper. References: Cole 34; Windisch, Cole Jr. & Herbaugh 389.Edition of 250. Published by Associated American Artists (AAA)...
View full detailsLithograph on old laid paper. Reference: not in the artist's logbook. Edition unknown, but certainly small, maybe unique. Signed and annotated "Bur...
View full detailsLe Verger du Roi Louis (original French title) Etching on laid paper.References: Beraldi 3-7 ; BN-IFF 32.A poignant social commentary, clearly mean...
View full detailsEtching on thick wove paper.Refences: Delteil/Wright 53 v/vi; Schneiderman 96 v/vii.Bearing a butterfly stamp (collector's stamp?) in the lower rig...
View full detailsEtching on chine-collé on this wove paper. References: Béraldi 162, BN-IFF 115. From the series titled Plantes variées gravées à l'eau-forte. Signe...
View full detailsEtching on chine-collé en thick wove paper. Reference: Guiffrey 205; Béraldi page 188. Lower right sheet corner torn off, in wide margins, well awa...
View full detailsEtching, drypoint and roulette printed on laid Arches paper, after a painting by John Constable, 1879. Ref: Bourcard & Goodfriend 145 iv/vii. A...
View full detailsEtching on smooth wove paper (simili-japon or simili-parchment). With letters. Publisher unknown. Edition unknown, but scarce.Provenance: Sagot-Le ...
View full detailsEtching on thick wove paper.Reference: Bliss 503 ii/ix.Before the etched borderline, before the plate was cut down, and before the composition was ...
View full detailsAquatint and drypoint on simili-Japan paper. Refs: Exsteens 248; Arwas 359. Edition of 100. From the album, “Le Petite Classe”. Numbered “25/100...
View full detailsEtching on laid paper, circa 1905-1910. Reference: not in BN-IFF. Stated edition of 30. Son of Tony Beltrand, who died very young. The work is ext...
View full detailsEtching and aquatint on laid paper. References: Godefroy/Delteil 15 iv/vi, Coppier 12.Before the plate was cut down laterally by almost two inches....
View full detailsEtching with engraving on laid J Kool watermarked paper. References: Schneiderman 23 v/x; Delteil-Wright 28 v/x. Superb impression, before letters...
View full detailsEtching on laid paper. Reference: Delteil 14 ii/ii. Superb impression of Millet's rarest, and arguably best etching. Large margins (tips of two co...
View full detailsLithograph on white wove paper (sur blanc).Reference: Delteil 595 ii/iii.From the first edition, when the series was issued by La Caricature, and t...
View full detailsLabor or Le Paysan à la Houe (original titles) Etching on parchment (also known as vellum).References: Beraldi 345; BN-IFF 390.After a composition ...
View full detailsPaysage (original French title) Etching and drypoint on Arches laid paper, before 1888. Reference: Duvivier 172.Edition unknown. One impression wa...
View full detailsPaysage en Toscane (original French title) Etching on laid paper, no date.Reference: Bertin 542.Signed in pencil, and bearing the artist’s red mono...
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