$1,300
Rooster at Rest
ISAAC, Prosper-Alphonse
Coq au Repos (French title) Color woodcut (woodblock print in Japanese manner, with water-based inks) on thin laid Japan paper, circa 1908-1912.One...
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color
- beige
- bistre
- black
- black and white
- blond
- blue
- bright
- brown
- burnt sienna
- celadon
- color
- colorful
- contrast
- dark
- dark blue
- gold
- gray
- green
- inky
- muted
- ochre
- olive
- olive green
- orange
- pink
- purple
- red
- sepia
- silver
- subtle
- tan
- teal
- warm
- white
- yellow
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era
- 1880-1918
- 1880/1918
- 1880_1918
- 1905-1910
- 1918-1940
- 1918/1940
- 1940-1945
- 1945-1980
- after 1980
- after1980
- contemporary
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exhibition
format
location
- Bretagne
- Brittany
- California
- Chicago
- Florence
- Germany
- Hawaii
- Japan
- London
- Netherlands
- Paris
- United States
- Vienna
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nationality
- American
- Australian
- Austrian
- Belgian
- British
- Canadian
- Czech
- Dutch
- french
- German
- Italian
- Japanese
- Jewish
- Russian
- Scottish
- Swiss
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Printer
publisher
- AAA
- American Artists Group
- Associated American Artists
- Bell & Co. Ltd.
- Edmond Sagot
- estampe nouvelle
- revue/blanche
- S.G.B.O.
- Société des Peintres-Graveurs Français
- The Print Club of Cleveland
- The Rampant Lion Press
- The Woodcut Society of New York
- Watanabe
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sale
scale
scape
- abstract
- animal
- animated
- bird's eye view
- cafe restaurant
- cityscape
- countryside
- desolate
- field
- figure
- floral arrangement
- garden
- interior
- invention
- landscape
- portrait
- quiet
- river
- seascape
- still life
- stillife
- street
- town
- waterscape
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style
- abstract
- abstracting
- abstraction
- art deco
- art nouveau
- Arts and Craft
- ashcanschool
- belle epoque
- cartoonish
- ephemera
- erotica
- etching
- exotic
- expressionism
- Fauve
- geometric abstraction
- Great Bardfield Artists
- impressionism
- Japanese Modernism
- japonisme
- Kacho-e
- Kuchi-e
- mid century
- minimalism
- modernism
- nabis
- negative space
- negative/space
- painterly
- post impressionism
- poster
- realism
- realistic
- regionalism
- Romanticism
- school of paris
- Shin Hanga
- social realism
- Sosaku-Hanga
- symbolism
- traditional etching
- Ukiyo-E
- WPA
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subject
- abstract
- African-American portraits
- American history
- angel
- animal
- announcement
- art about art
- baby
- ballet
- beach
- beauty
- bee
- bird
- birds
- boat
- body of water
- bridge
- buildings
- butterfly
- cafe bar
- canal
- cat
- celebration
- child
- chore
- church
- city
- city life
- commerce
- cottage
- couple
- crowd
- dawn
- desolate
- downtrodden
- dress skirt
- dusk
- face
- face/bust
- faith
- fan
- farm
- farmer
- feather
- field
- figure
- fireworks
- fishing
- flora
- flower
- food
- food & drink
- forest
- garden
- girl
- graceful
- grass
- hair
- harbor
- hat
- historic building
- history
- horse
- house
- hunting
- industry
- insect
- interior
- intimacy
- invention
- jungle
- labor
- lake
- leaf
- leisure
- life
- light
- mammal
- man
- marriage
- maternity
- memento mori
- menu
- mirror
- modern
- modern woman
- mother
- mountain
- music
- mysterious
- mythical faces
- mythology
- negative space
- night life
- nude
- old people
- out about
- parc
- Paris
- path
- pattern
- people
- plant
- play
- poetry
- prostitution
- public transportation
- religion
- river
- rocks
- romance
- sea
- seaside
- seated
- sexual
- shepherd
- sky
- smoke
- smoking
- social
- social commentary
- space
- spirituality
- sport
- stilllife
- street
- strength
- temple
- text
- town
- transcendence
- transportation
- tree
- umbrella
- village
- walking
- war
- water
- whimsical
- woman
- work
- zen garden
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technique
- chine-collé
- color
- color linocut
- color screenprint
- color silkscreen
- color woodcut
- embossed
- linocut
- mixed media
- relief
- screenprint
- watercolor
- wood engraving
- woodblock print
- woodcut
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weather
- cloud
- cloud sky
- dusk dawn
- dusk/dawn
- fall
- foggy
- moon
- night
- rain
- shade
- sky
- snow
- spring
- storm
- summer
- sun
- sunny
- sunset sunrise
- water reflection
- wind
- winter
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year
Woodcuts in France
There is sometimes an assumption that French printmakers didn't work much in wood. This may be influenced by the assumption that, at the same time the Germans created woodcuts almost exclusively. Both assumptions are false, and we'll at least disprove that former assumption.