In the Passy-Louvre Tram
DELAVALLEE, Henri
Dans le Tramway Passy-Louvre (original French title) Soft-ground etching and aquatint on wove paper. Reference: Morane 43.Third state impression. ...
View full detailsDans le Tramway Passy-Louvre (original French title) Soft-ground etching and aquatint on wove paper. Reference: Morane 43.Third state impression. ...
View full detailsTête de Vieille (original French title) Soft-ground etching with touches of aquatint on laid paper. Reference: Morane 45.No known states; from the ...
View full detailsLithograph on laid paper.Reference: logbook 200.Edition of 20.Signed in pencil. This is unequivocally one of the artist’s very best prints. The vi...
View full detailsLe Souper de l’Apache (original French title) Etching and aquatint on simili-japon paper, 1904.References: Arwas 211; Exsteens 191.Published by Gus...
View full detailsEtching, aquatint and drypoint on simili-japon paper.References: Exsteens 25; Arwas 39.Edition unknown, likely of circa 50.Published by Gustave Pel...
View full detailsPencil with pale-blue touches on board. Provenance: collection Mrs. Ernest Haskell, Jr; exhibited at Crocker Art Gallery in 1976 retrospective, Sac...
View full detailsHélène of Septeuil or Enfant au Perroquet Drypoint on laid Van Gelder paper, c. 1890. Reference: Breeskin 134. Very likely a fourth state of five, ...
View full detailsLes Enchères (French title) Lithograph printed on wove chine paper. Reference: not listed in BN-IFF.It’s unclear that this composition was ever pri...
View full detailsConté crayon on chiné pinkish-cream wove paper, circa 1878. Study for one of the figures in Les Muses des Arts, a ceramic tile decor created for th...
View full detailsLithograph on Rives wove paper, no date. Edition unknown, but likely small if any. Scarce.Signed in pencil.
Etching on wove paper.Reference: Windisch. Cole, and Herbaugh 667. Published by Associated American Artists (AAA), in an edition of 250. Signed in ...
View full detailsLili au Boa Noir (original French title)Drypoint and roulette printed in three colors on laid Van Gelder Zonen paper.Reference: Ginestet et Pouillo...
View full detailsWilliam LEE-HANKEY (1869-1952) Nachante Etching and drypoint on wove paper, circa 1920.Reference: presumably Hardie 179, but unverified.Edition unk...
View full detailsAngélique à Sa Porte (original French title) Soft-ground etching, etching, and aquatint on laid paper. Reference: Morane 15.We present two states o...
View full detailsLire dans Le Figaro le nouveau roman d’Abel Hermant - Confession d’un Homme d’aujourd’hui (original French title) Color lithograph, poster, printed...
View full detailsLa Femme de l’Eclusier or L’Eclusière (original French titles) Color woodcut on thin simili-japon paper, 1901.Refs: not in BN-IFF; Addade p. 53.Edi...
View full detailsAu Bal Debray (French title) Color aquatint & etching on laid Arches paper, circa 1895.Edition unknown but seemingly small, given the scarcity ...
View full detailsLa Vieille Femme Fumant sa Pipe (original French title) Soft-ground and line etching, and aquatint on wove paper, 1892.Reference: Morane 48.Edition...
View full detailsFemme Assise (original French title) Soft-ground etching, and aquatint in color printed on simili-japon, 1903. Edition of 50.Published by "L'Estamp...
View full detailsLithograph on thin wove paper, 1921. Reference: Mason 79.Printed by Bolton Brown, as is seemingly the case of the whole edition.Edition of 45, scar...
View full detailsDrypoint (possibly etching) printed in black on F.J.H. Menpes laid paper, n.d. Edition unknown, but very likely small.Signed in pencil.
Woodblock print, color woodcut, printed on Japan wove paper. Edition unknown, but certainly small. Toshi Yoshida first created prints in the Shin-...
View full detailsDroom der Aanbidden (original Dutch title) Etching and aquatint printed on thick tan wove paper.Two states, one without the background of the sun’s...
View full detailsLithograph on Montval laid paper.Edition 250. Printed by Adolphe Braun & Co, Paris.Signed in pencil. Creative and elegant use of white-line scr...
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