Technique - Etching

Drypoint and aquatint on simili-japon wove paper.  Signed in pencil.  Light surface soiling, mostly in the margins. 

Etching, drypoint, and aquatint on thin laid MBM paper. Reference: Beraldi 779 iv/v. From the series titled "Six eaux fortes", published in 1887. S...

Etching printed over an additional tone plate on wove paper. References: Guiffrey 73; BN-IFF 136.  Corners torn off, and with a few tears in the sh...

Etching on wove paper.  Reference: Delteil 241 ix/ix.  Signed in pencil.   

Etching on laid paper, circa 1905-1910.  Reference: not in BN-IFF. Stated edition of 30. Son of Tony Beltrand, who died very young. The work is ext...

Etching on laid japon paper.  Reference: Malassis et Thibaudeau 182 ii/xiv (?). Very rare according to the Bliss catalog (an impression of this sta...

Etching on laid paper. Reference: Malassis et Thibaudeau 223 ii/v. One of 6 in this state, according to the Bliss Collection catalog. But also anno...

Etching and drypoint on laid paper.  Reference: Bliss 356 iii/viii.  Signed in pencil. Fine impression, one of 6 of this state, and of only 26 impr...

Etching on wove paper. References: Beraldi 10; Lalanne 8; BN-IFF 9-4.  One of four prints for the "Société des Aquafortistes", 2nd year, 1865-66. I...

Etching on chine-collé on BFK Rives wove paper. Reference: Fitch-Febvrel 68. Edition of 90. Signed, titled, dated, and numbered in pencil.  

Etching on BFK Rives wove paper. Reference: Fitch-Febvrel 38. Edition of 90. Signed, titled, dated, and numbered in pencil.  

Etching and aquatint printed in brown ink on laid paper. Reference: Deltiel:12, 6th and final state. Very likely a lifetime impression printed by h...

Etching on laid paper.Reference: Fletcher 195. From the French Church Series, plate 15.Printed in 1927 by Frederick Reynolds.Signed and dated in pe...

Etching on antique laid paper.Reference: Fletcher 241. From the French Church Series, plate 31.Signed and editioned in pencil. With a red collector...

Etching and drypoint printed in two tones on simili-Japan paper. Reference: Bourcard & Goodfriend 177. Seventh and final state. A beautiful “sa...

Etching on laid japon paper.Reference: Delteil 124 between i/ii and ii/iii.Almost certainly a state between Delteil's first and second, with the mo...

Etching and aquatint on laid paper. References: Godefroy/Delteil 15 iv/vi, Coppier 12.Before the plate was cut down laterally by almost two inches....

Etching on chine-collé on this wove paper. References: Béraldi 162, BN-IFF 115. From the series titled Plantes variées gravées à l'eau-forte. Signe...

Etching on laid japon paper.References: Jennings 52, Curtis & Prouté 56 i/ii, Jennings 52, BN-IFF page 150.First state, before letters publishe...

Monotyped etching or drypoint, reworked in ink on laid paper.Reference: not in BN-IIF, which seems to have very little of Gabriel's etched oeuvre.U...

Etching on thin laid paper.Reference: BN-IFF 55. Plate from a set of prints titled Croquis hollandais et autres, published by Cadart that same year...

Etching and false biting on laid paper.Reference: BN-IFF mentions that it is missing from the collection, volume IV, page 217.First impression of t...

Etching on laid paper. Reference: Delteil 14 ii/ii. Superb impression of Millet's rarest, and arguably best etching.  Large margins (tips of two co...

Etching with engraving on laid J Kool watermarked paper. References: Schneiderman 23 v/x; Delteil-Wright 28 v/x.  Superb impression, before letters...