A Pair of Etchings - Company for Dinner, Mother Mallard and Family
FORMAN, Helen
Each print titled and signed in pencil at the lower margins.Largest size given below, smaller print size is 3 7/8 x 5 1/2 inches.
Each print titled and signed in pencil at the lower margins.Largest size given below, smaller print size is 3 7/8 x 5 1/2 inches.
Each print titled and signed in pencil at the lower margins.In Duneland printed in green ink.Largest size given below, smaller print size is 4 7/8 ...
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Each print titled and signed in pencil at the lower margins.Largest size given below, smaller print size is 6 7/8 x 5 1/2 inches.
Etching and aquatint in red ink on wove paper.Pencil signed, titled and inscribed A/P.Sheet size: 15 x 19 inches.
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Etching in gray ink on wove paper.Edition of 15.Signed, dated and numbered 6/15 in pencil.Sheet size: 11 ¼ x 7 ½ inches sheet.
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Etching and aquatint in brown ink on Rives paper.Edition of 15.Signed, dated and numbered 12/15 in pencil.
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Etching, soft-ground, and aquatint on laid paper. Stated edition of 100, which seams unlikely to have been printed. We have yet to find another imp...
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Etching on wove paper. Edition of 50.Signed, titled, and numbered in pencil. Craft hinge remains in the top sheet corners, well away from the plate...
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Etching on wove paper. Edition of 50.The wrath of God is symbolically depicted by gathering storm clouds, while Moses’ arm is swung back, its motio...
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Etching, drypoint, and roulette on wove paper. Edition unknown, but likely small, if one was printed at all.Signed in pencil. Faint line of discolo...
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Drypoint on laid paper. Reference: Tabanelli 30. Proof of the third state (of four?), before steelfacing, and before the composition was brightened...
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Aquatint and drypoint in black ink on thick wove paper.Reference: Tabanelli 311. Artist’s proof, aside from an edition of 50 according to Tabanelli...
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Etching on thin wove paper, circa 1920. Signed in pencil. Also titled and priced “16.00” in pencil in the lower left sheet edge in what appear...
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Etching on thin wove paper. Reference: Beraldi 1; Villet 1. Seemingly a first state; definitely before letters and before the plate started to dark...
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Etching on thick cream wove paper. Monogrammed TN and dated "99" in the lower left plate corner.Blindstamped KUNST lower left corner of sheet.
Mädchenporträt mit Zöpfen (descriptive German title) Etching and drypoint on thick wove paper. Edition unknown, but likely scarce. We have encounte...
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Porträt einer alten Frau (descriptive German title) Etching on thick wove paper. Edition unknown, but likely scarce. We haven’t encountered another...
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Etching on laid paper. Referencess: Delteil 10; BN-IFF 443.Final state, with the crest.
Drypoint on BFK Rives wove paper. Reference: Zinc 68 (?).Scarce. No known edition. Just a handful of impressions seem to have survived, some signed...
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Le Haut d’un Battant de Porte (original French title) Etching on chine-collé on wove paper, 1852-65.Reference: Beraldi 110 v/v; Bouillon. Our impre...
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Aquatint, collagraph, and etching printed in two colors on simili-Japan paper. One of seven impressions in the 10th state, before the edition of 50...
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Color mezzotint and etching on thick wove paper. Edition unknown, but very likely small. This lovely color mezzotint was almost certainly created b...
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Lever de Lune (original French title) Color aquatint and etching on Arches laid paper, circa 1898. Ref: BN-IFF 9-11. Seemingly an edition of 200 (i...
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Etching and aquatint on wove paper. No known edition, but proofs exist including in the University of Syracuse Art Museum collection (see here). Si...
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