Scaffolding on the Slipway in the Pollet Neighborhood in Dieppe
GUERARD, Henri
Échafaudages dans la Cale au Pollet, Dieppe (original French title) Etching, roulette & drypoint in brownish-black ink on laid Arches paper.Ref...
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Échafaudages dans la Cale au Pollet, Dieppe (original French title) Etching, roulette & drypoint in brownish-black ink on laid Arches paper.Ref...
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Jeune Femme au Bain (original French title) Etching on laid paper, after 1866.Reference: Beraldi 423. In Rembrandtian tradition, Charles Jacque dra...
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Etching on light-gray laid paper with strange "tool" watermark (likely a paper that came from a small artisanal mill). Reference: Godefroy (Delteil...
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Etching on wove paper. Titled and signed in pencil at the lower margins. NOTE: George Arliss (1868-1946) won the 1930 Academy Award (only the seco...
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Each print titled and signed in pencil at the lower margins.Largest size given below, smaller print size is 5 x 5 inches.
Etching on wove paper.Initialed in the plate at lower left, and pencil signed at lower right.Sheet size: 8 7/8 x 7 5/8 inches.
Each print titled and signed in pencil at the lower margins.Largest size given below, smaller print size is 3 7/8 x 5 1/2 inches.
Each print titled and signed in pencil at the lower margins.In Duneland printed in green ink.Largest size given below, smaller print size is 4 7/8 ...
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Each print titled and signed in pencil at the lower margins.Largest size given below, smaller print size is 6 7/8 x 5 1/2 inches.
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Etching and aquatint in brown ink on Rives paper.Edition of 15.Signed, dated and numbered 12/15 in pencil.
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Etching, soft-ground, and aquatint on laid paper. Stated edition of 100, which seams unlikely to have been printed. We have yet to find another imp...
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Etching on wove paper. Edition of 50.The wrath of God is symbolically depicted by gathering storm clouds, while Moses’ arm is swung back, its motio...
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Etching, drypoint, and roulette on wove paper. Edition unknown, but likely small, if one was printed at all.Signed in pencil. Faint line of discolo...
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Drypoint on laid paper. Reference: Tabanelli 30. Proof of the third state (of four?), before steelfacing, and before the composition was brightened...
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Etching on thin wove paper. Reference: Beraldi 1; Villet 1. Seemingly a first state; definitely before letters and before the plate started to dark...
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Mädchenporträt mit Zöpfen (descriptive German title) Etching and drypoint on thick wove paper. Edition unknown, but likely scarce. We have encounte...
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Porträt einer alten Frau (descriptive German title) Etching on thick wove paper. Edition unknown, but likely scarce. We haven’t encountered another...
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Etching on laid paper. Referencess: Delteil 10; BN-IFF 443.Final state, with the crest.
Drypoint on BFK Rives wove paper. Reference: Zinc 68 (?).Scarce. No known edition. Just a handful of impressions seem to have survived, some signed...
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Etching and aquatint on wove paper. No known edition, but proofs exist including in the University of Syracuse Art Museum collection (see here). Si...
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Lithograph printed in bistre on japon volant (tissue thin Japan) wove paper. This large composition is related to the smaller color composition Gué...
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Etching on chine-collé on thick wove paper. References: Beraldi supplement 36; not in BN-IFF. Le Blanc mentioned that this plate was destroyed befo...
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Pluie et Parapluie (original French title) Etching, possibly with touches of drypoint, printed on laid paper (partial watermark suggesting Arches),...
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Le Hibou (original French title) Etching, aquatint, roulette, and drypoint on olive-greenish laid paper, 1893.Reference: Bourcard & Goodfriend ...
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