Un Chemineau
CHAHINE, Edgar
Drypoint on laid paper. Reference: Tabanelli 30. Proof of the third state (of four?), before steelfacing, and before the composition was brightened...
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Drypoint on laid paper. Reference: Tabanelli 30. Proof of the third state (of four?), before steelfacing, and before the composition was brightened...
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Aquatint and drypoint in black ink on thick wove paper.Reference: Tabanelli 311. Artist’s proof, aside from an edition of 50 according to Tabanelli...
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Etching on thin wove paper, circa 1920. Signed in pencil. Also titled and priced “16.00” in pencil in the lower left sheet edge in what appear...
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Etching on thin wove paper. Reference: Beraldi 1; Villet 1. Seemingly a first state; definitely before letters and before the plate started to dark...
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Etching on very thin laid Japan paper. Reference: Czestochowski 304.Signed and titled "Art Palace 4 Millions" in pencil.
Mädchenporträt mit Zöpfen (descriptive German title) Etching and drypoint on thick wove paper. Edition unknown, but likely scarce. We have encounte...
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Porträt einer alten Frau (descriptive German title) Etching on thick wove paper. Edition unknown, but likely scarce. We haven’t encountered another...
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Etching on laid paper. Referencess: Delteil 10; BN-IFF 443.Final state, with the crest.
Drypoint on BFK Rives wove paper. Reference: Zinc 68 (?).Scarce. No known edition. Just a handful of impressions seem to have survived, some signed...
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Le Haut d’un Battant de Porte (original French title) Etching on chine-collé on wove paper, 1852-65.Reference: Beraldi 110 v/v; Bouillon. Our impre...
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Etching and aquatint on wove paper. No known edition, but proofs exist including in the University of Syracuse Art Museum collection (see here). Si...
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Lithograph printed in bistre on japon volant (tissue thin Japan) wove paper. This large composition is related to the smaller color composition Gué...
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Aquatint and etching on thick tan wove paper.Signed in pencil. Provenance: Estate of William Greenbaum, Gloucester, Massachusetts, a true gentleman...
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Etching on thin wove japan paper.Edition of 50.This is thought to be the artist's first etching.Signed, titled, numbered and dated in pencil. Prove...
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Etching on laid paper.Presumed edition of 50.Initialed and dated in the plate, and signed in pencil. We add the preparatory drawing: Ink on wove sk...
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Etching on laid paper. Ref: Béraldi 223 iii/iv. Third state of four, before some darker clouds were added in the sky and some touch ups throughout ...
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Etching on chine-collé on thick wove paper. References: Beraldi supplement 36; not in BN-IFF. Le Blanc mentioned that this plate was destroyed befo...
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Pluie et Parapluie (original French title) Etching, possibly with touches of drypoint, printed on laid paper (partial watermark suggesting Arches),...
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Matinée d’Hiver sur les Quais (original French title) Etching, aquatint, roulette, and likely touches of drypoint printed on thick white wove paper...
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Forêt (original French title) Etching on laid paper, circa 1874.Reference: Bourcard & Goodfriend 42.A rich impression, the black ink almost pou...
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Le Peintre de Marine (original French title) Etching, aquatint, likely with touches of drypoint, on laid paper.Reference: Bourcard & Goodfriend...
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Les Bergeries, Soleil Couchant (original French title) Etching and aquatint printed in warm brownish-black ink on simili-japon wove paper.Reference...
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Le Hibou (original French title) Etching, aquatint, roulette, and drypoint on olive-greenish laid paper, 1893.Reference: Bourcard & Goodfriend ...
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Etching on thin laid japon paper.Reference: Bourcard & Goodfriend 11 i/iii. The rare first state in pure etching and before letters.This is th...
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