Color viscosity intaglio print on ivory Japan paper.
One of 15 artist’s proofs, aside from the edition of 65.
This, like all the artist’s prints from his time in Paris at Atelier 17, has become scarce.
Tape residue on the verso.
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Embarcadère à Trouville (original French title) Etching, aquatint, and drypoint on white laid paper.Reference: Bourcard & Goodfriend 126 iii/v....
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Cochons au Soleil (original French title) Drypoint (mostly with the burr shaved off), aquatint, roulette, and very probably touches of etching prin...
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Le Ramassage des Pommes (descriptive French title) Original drawing, pencil and pen and black ink, with tiny touches of orange on thin paper, laid ...
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Color aquatint on wove paper, 1982.Edition of 100.Published by Georgetown Graphics Inc for the Print Collectors Club, Washington DC.Signed and numb...
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