Filters

color

era

format

nationality

publisher

scape

style

subject

technique

year

Pierre ROCHE

Pierre Roche (1855-1922) was trained first as a painter, but made his way into the art world by becoming a sculptor and a printmaker.  A few paintings and the odd interior sculpture will surface on the market at times.  However, what he is known for today are his monumental sculpture and his innovative embossed prints.  L’Effort in the Jardin du Luxembourg, and his Fontaine de l’Avril come to mind as sculpture.  As a printmaker he is known for developing a new technique, creating plaster molds from bas-reliefs, which he inked in color by hand, and printed onto thin sheets of wet Japanese papers.  Because of the fragility of the matrix used for these prints, Roche also eventually used metal plates in a similar manner.  This way he was able to prints slightly larger editions, of up to 100, instead of just a handful.  Roche is thus the father of what is today known as the gypsograph.  His esthetic can unequivocally be called symbolistic, with nudes, the figure, plants and flowers dominating as subjects.

Diane et le Chein Sold
View Details

Diane et le Chein

ROCHE, Pierre

Signed and dedicated "A monsieur Fontaine, cordialement" in pencil. Printed in gray.

La Salamandre
$1,200

La Salamandre

ROCHE, Pierre

Printed in two tones on similil-japon paper. Reference: Stein & Karshan 71. Edition of 100. Published in the 9th album of "L'Estampe Originale"...

View full details
Pax MCMXX Sold
View Details

Pax MCMXX

ROCHE, Pierre

Printed in brown on japon paper, mounted on a sheet of wove paper with the blindstamp of L'Estampe Moderne. Signed and annotated "Gypsographie orig...

View full details