Odilon Redon (1840-1914) was, by a longshot, the most idiosyncratic artist of the 19th century. While other artists would have broken with tradition in some way, Redon broke with the past in every way he could think of. Inspired very heavily by Eastern religions and philosophies, and seeped in his own Christian tradition, Redon created images that seem to have been catapulted from another world into his. Whether drawing portraits, still-lives, mythological figures, mystical visions or landscapes, Redon never fails to surprise in his treatment of the subject. He was a prolific painter and also worked avidly on lithographs, which are still today regarded as some of the very best the technique ever has had to offer.
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Le Coursier (original French title) Lithograph on chine-collé, 1894.Reference: Mellerio 129.Edition of 25. Very scarce.Signed in the image in penc...
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Odilon REDON (1840-1916) …je me suis enfoncé dans la solitude. J’habitais l’arbre derrière moi. (original French title) Lithograph on chine-collé...
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Lithograph printed on chine.Reference: Mellerio 193.A printer's proof, from the transfer lithograph made by Auguste Clot, after the original.There ...
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Brünhilde (Crépuscule des Dieux) (original French title) Lithograph on chine-collé.Reference: Mellerio 130.Projected edition of 80, but thought to ...
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Printed on chine-collé on thick wove.Reference: Mellerio 195.From the edition of 25 in black. There were a further 15 printed in sanguine.Rare.Prin...
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Lithograph on thin tan chine paper, 1887. Reference: Mellerio 71. This is a proof aside from the scarce edition of 25 on chine-collé, printed by L...
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Vieux Chevalier (original French title) Lithograph on chine collé on wove paper. Reference: Mellerio 158 Edition 100. Published by Ambroise Vollard...
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