Two Peacocks
MANZANA-PISSARRO, Georges
Pochoir, drawn in metallic inks and gouache on tan chine wove paper (the black background is ink, not the paper color), n.d. Edition of 100. Signed...
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Pochoir, drawn in metallic inks and gouache on tan chine wove paper (the black background is ink, not the paper color), n.d. Edition of 100. Signed...
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Color woodcut on tissue-thin laid Japan paper, n.d. Edition unknown; scarce, as are all the artist’s prints. Faint scattered foxing in the bottom r...
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Woodblock print (color woodcut) on laid Japan paper, circa 1922. Only edition, assumed to be of 100. Signed and numbered in pencil. Bearing an unid...
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Etching on laid japon paper. Reference: Curtis & Prouté 32. First state, before letters. A luminous impression, with dark sharply printed lines.
Etching and aquatint printed in brown-black ink on tan wove paper. Reference: Bourcard & Goodfriend 163 iii/iii. Printed in warm black ink, ev...
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Etching, drypoint, aquatint, roulette, printed in two tones, from two plates, on wove japon paper, 1886-1890. Reference: Bourcard & Goodfriend ...
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Color lithograph on simili-japon wove paper. References: Edouard André page 222; BN-IFF 107. Edition of 100. Distributed or published by Gustave P...
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Le Reflet dans la Fontaine (original French title) Lithograph printed in color on chine volant. References: Cailler 100; Johnson 31. Edition of 100...
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Le Séminaire en Bretagne (original French title) Lithograph on smooth wove paper.Reference: Sylvain Laboureur 752. While Lotz-Brissonneau presumed ...
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Woodcut printed on wove Japan paper, 1899. Reference: Sylvain Laboureur 602. Edition of 60. Ten impressions were printed in 1899, and the remainde...
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Lithograph on wove paper, 1976. Edition of 25.Signed, titled, dated, and numbered in pencil.
Color stencil (pochoir) on wove paper. This print was created under the auspices of the "Southern California Art Project", which was funded by the ...
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Chez la Couturière (original French title) Color aquatint and etching on tan wove paper.Reference: BN-IFF 5.4.Edition unknown, but small. Very scar...
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Woodcut on tan wove paper. Reference: Schiefler 24. One of three impressions of the first state. There are, according to Schiefler, also two impres...
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Etching on chine-collé on laid paper. Published by Cadart & Luquet, France, active 1863–67 for their famous eponymous organization, which promo...
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La Chauve-Souris (original French title) Etching and aquatint printed from two plates, in black and in blue ink, on wove Arches paper.Edition of 10...
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Woodblock print (color woodcut) on wove Japan paper. From a small edition. Scarce. Early example of Yoshida's turn to Sōsaku-hanga (creative prints...
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Etching on laid paper, with an unrecognized scrolly coat of arms watermark. Reference: Schneiderman 85 v/vi. Fifth state, with letters. This state ...
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Lithograph printed on Basingwerk Parchment wove paper. Reference: Mason 150. Edition of 49. From the series of 15 drawings illustrating "The Wind B...
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Pêcheuse à l'Enfant Tirant un Requin (original french title)Deeply bitten etching, with roulette and gypsograph, printed in black ink on beige wove...
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Abend vor Lissabon (original German title) Color woodcut on thick wove paper.No known edition. Numbered "247", likely referring to the number in th...
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Le Combat (original French title) Color etching and aquatint on wove paper, n.d.Edition of 150, yet surprisingly scarce.Signed, titled, and numbere...
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Woodcut printed in colors on laid Japan paper, 1978.Reference: Rose 308.Edition of 25.Signed, dated, and numbered "15/XXV" in pencil.
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