Cows under a Big Sky
DROEGE, Oscar
Color woodcut (woodblock print) on Japan paper. Edition unknown.Signed in pencil.
Color woodcut (woodblock print) on Japan paper. Edition unknown.Signed in pencil.
Drypoint and direct bite on laid paper, 1900. Reference: Tabanelli 47. Second state of two.Total edition of 40 on a variety of papers, according to...
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Color aquatint on laid paper, circa 1907. Reference: Merrill Chase 27. Likely an edition of 100. Signed in crayon on the image, and numbered below ...
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Etching, drypoint, aquatint and stop-out on heavy wove paper. Reference: BN-IFF 1-3. Edition of 50. His etchings are very scarce. Signed and numb...
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Etching and aquatint on wove paper. Likely one of the artist's early etchings, which often depicted "La Butte Montmartre" and its picturesque stre...
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Etching, drypoint, and aquatint on thin laid MBM paper. Reference: Beraldi 779 iv/v. From the series titled "Six eaux fortes", published in 1887. S...
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Etching on wove paper. Reference: Delteil 241 ix/ix. Signed in pencil.
Color woodcut on japon pelure. Reference: BN-IFF 2. Published by L’Art et l'Affiche, Paris. With letters. A diagonal crease in the upper right ima...
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Etching on laid japon paper. Reference: Malassis et Thibaudeau 182 ii/xiv (?). Very rare according to the Bliss catalog (an impression of this sta...
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Gouache and watercolor on wove paper. Signed and dated in gouache. Housed in a mat cut to the shape of the image.
Etching on toned wove paper.References: LeBlanc 51; Béraldi 214-295. Titled, dated, signed and annotated in ink in the lower plate margin. Small ma...
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Etching on thick wove paper.Reference: Bliss 503 ii/ix.Before the etched borderline, before the plate was cut down, and before the composition was ...
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Etching on chine-collé on white wove paper. Reference: Van Gelder 107 only state. As published in Revue Fantaisiste, September 1861. Faint foxing i...
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Graphite, conté crayon, and ink wash on wove notary ledger paper.Signed with an "R. Verdun" stamp (not in Lugt, and not the atelier sale stamp that...
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Drypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
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Hélène of Septeuil or Enfant au Perroquet Drypoint on laid Van Gelder paper, c. 1890. Reference: Breeskin 134. Very likely a fourth state of five, ...
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Lithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Paysage (original French title) Etching and drypoint on Arches laid paper, before 1888. Reference: Duvivier 172.Edition unknown. One impression wa...
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Color mezzotint on Arches wove paper.Edition of 75.Signed, titled, dated, and numbered in pencil.
Aquatint and soft-ground etching printed in color on simili-Japan wove paper,Reference: Novák 192. Edition of 200. Signed and numbered in pencil,...
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Retour de Pêche la Nuit (original French title) Etching and aquatint on laid paper. Reference: Morane 16.Annotated as a fourth state. As Morane com...
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Ferme Bretonne au Soleil (French title) Etching and aquatint on laid Ch Wittman paper, no date. Reference: Morane 63. Titled “[La Ferme dans le so...
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Etching and aquatint on simili-japon paper. Reference: Morane 67.No edition. Scarce.
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