Brumes du Matin
BRACQUEMOND, Felix
Etching, drypoint, and aquatint on thin laid MBM paper. Reference: Beraldi 779 iv/v. From the series titled "Six eaux fortes", published in 1887. S...
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Etching, drypoint, and aquatint on thin laid MBM paper. Reference: Beraldi 779 iv/v. From the series titled "Six eaux fortes", published in 1887. S...
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Etching on wove paper. Reference: Delteil 241 ix/ix. Signed in pencil.
Color woodcut on japon pelure. Reference: BN-IFF 2. Published by L’Art et l'Affiche, Paris. With letters. A diagonal crease in the upper right ima...
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Etching on laid japon paper. Reference: Malassis et Thibaudeau 182 ii/xiv (?). Very rare according to the Bliss catalog (an impression of this sta...
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Gouache and watercolor on wove paper. Signed and dated in gouache. Housed in a mat cut to the shape of the image.
Etching on toned wove paper.References: LeBlanc 51; Béraldi 214-295. Titled, dated, signed and annotated in ink in the lower plate margin. Small ma...
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Etching on thick wove paper.Reference: Bliss 503 ii/ix.Before the etched borderline, before the plate was cut down, and before the composition was ...
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Etching on chine-collé on white wove paper. Reference: Van Gelder 107 only state. As published in Revue Fantaisiste, September 1861. Faint foxing i...
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Drypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
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Hélène of Septeuil or Enfant au Perroquet Drypoint on laid Van Gelder paper, c. 1890. Reference: Breeskin 134. Very likely a fourth state of five, ...
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Lithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Paysage (original French title) Etching and drypoint on Arches laid paper, before 1888. Reference: Duvivier 172.Edition unknown. One impression wa...
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Color mezzotint on Arches wove paper.Edition of 75.Signed, titled, dated, and numbered in pencil.
Aquatint and soft-ground etching printed in color on simili-Japan wove paper,Reference: Novák 192. Edition of 200. Signed and numbered in pencil,...
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Retour de Pêche la Nuit (original French title) Etching and aquatint on laid paper. Reference: Morane 16.Annotated as a fourth state. As Morane com...
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Ferme Bretonne au Soleil (French title) Etching and aquatint on laid Ch Wittman paper, no date. Reference: Morane 63. Titled “[La Ferme dans le so...
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Etching and aquatint on simili-japon paper. Reference: Morane 67.No edition. Scarce.
Dernière nouveauté (original French title) Lithograph printed on smooth wove paper. Reference: Vallotton et Goerg 44.Edition of 100.Reproduced in L...
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Intaglio, most definitely aquatint mixed with other techniques, printed with embossing in simultaneous color printing (using various viscosities of...
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Color woodcut (woodblock print) on Japan paper, no date. Edition unknown, but likely small. Signed in pencil.
Seigneur Prenez Pitié… (original French title) Aquatint printed in blue and warm-gray inks on wove BFK Rives paper, circa 1918. This plate was poss...
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Color aquatint and etching on laid paper, no date. Edition of 50.Signed and numbered
Color aquatint on silver-foil paper, circa 1975. Edition of 30. The artist, who is typically referred to as SICA, exhibited her prints, which she ...
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