Sunbath
LOZOWICK, Louis
Lithograph on GCM (Rives) wove paper. Reference: Flint 191. Edition of 20. Signed in pencil.
Lithograph on GCM (Rives) wove paper. Reference: Flint 191. Edition of 20. Signed in pencil.
Etching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Mezzotint on wove paper.Edition was to be of 35 but was likely not completed. Rare.The current work was the artist's last published mezzotint.Signe...
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Monotype on thin Japan wove paper, 1942.Signed, titled and dated in pencil. Small margins. A small paper loss in the upper left sheet corner.
Etching on laid paper, circa 1930.Edition unknown, but likely small, like most of Ripley’s prints.Signed and titled in pencil.
Intaglio, most definitely aquatint mixed with other techniques, printed with embossing in simultaneous color printing (using various viscosities of...
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Woodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
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Color aquatint on silver-foil paper, circa 1975. Edition of 30. The artist, who is typically referred to as SICA, exhibited her prints, which she ...
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Screenprint, or silkscreen on reused advertisement board. This proof is printed on the blank back of an advertisement poster, cut in half by the ar...
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Lithograph on Montval laid paper, 1929.Edition 250. Printed by Adolphe Braun & Co, Paris.Signed in pencil. This composition has a particularly ...
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Color woodcut on very thin wove Japan paper. Ref: Mason & Mason 59.This composition is used as the back cover illustration for the Masons' book...
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Color pencil on light gray wove paper, circa 1910. A young boy sits on Central Park’s rocks, picturing himself in some wild land. Were it not fo...
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Etching on wove paper. Edition of 60. Part of a set of prints commissioned by the Sheffield Steel Corporation in 1937. Signed, numbered, and titl...
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Color aquatint and etching on laid paper, circa 1895. Edition of 50.Signed and numbered in pencil. Provenance: the estate of the artist, thence by ...
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Color aquatint on wove paper.Edition unknown, but certainly small, like all the artist’s work. A small paper tab (which we add), handwritten in cur...
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Color aquatint on wove paper. Edition unknown, but certainly small, like all the artist’s work. A small paper tab (which we add), handwritten in th...
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Silver-gelatin print, no date. Edition unknown. From a series of images titled Industrial Landscapes - Cleveland by the artist A very fine impr...
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Aquatint and etching on wove paper. Edition of 100. Signed in pencil.
Pen and ink and black crayon on J Whatman wove paper. Unique. This drawing was reproduced in Miranda and the Cat, a children’s book written by Lin...
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Lithograph on wove paper, no date. Edition unknown, but if there was any, it certainly was small. The format suggests it could have been intended...
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Wood engraving.Woodcut Society Publications.Signed in pencil.
Lithograph printed on wove paper, no date.Edition of 50.Signed, titled, and annotated in pencil.Bearing the estate stamp on the verso.
Engraving on wove paper.Reference: Kraeft 106. Edition of 100. Signed, dated, and editioned in pencil. Bearing an unidentified monogram stamp, MMMK...
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Reference: Kraeft 79.Edition of 100.Signed and annotated 'For Esta Nichols' in pencil. Very fine impression in near perfect condition, aside from s...
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