Sultry Day
LANDACRE, Paul
Wood engraving on wove paper, 1935-37. Reference: Wien 170.From the edition of 200, published by the "American Artists Group", New York. Signed, ti...
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Wood engraving on wove paper, 1935-37. Reference: Wien 170.From the edition of 200, published by the "American Artists Group", New York. Signed, ti...
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Woodcut on japon paper.Edition of 25.Signed titled and numbered in pencil.Sheet size: 11 5/8 x 13.375 inches.Condition notes: glue residue from old...
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Etching on wove paper.Initialed in the plate at lower left, and pencil signed at lower right.Sheet size: 8 7/8 x 7 5/8 inches.
Pen and ink drawing on laid paper with partial illegible watermark.Signed and dated in ink within the image.Provenance: Sylvan Cole Gallery, New Yo...
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Etching and aquatint in red ink on wove paper.Pencil signed, titled and inscribed A/P.Sheet size: 15 x 19 inches.
Mezzotint on wove paper. Pencil signed, titled and dated.Sheet size: 11 ½ x 9 inches. Modern Madonna reveals Woolley’s mastery of rich tone and tex...
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Etching and aquatint on wove paper. No known edition, but proofs exist including in the University of Syracuse Art Museum collection (see here). Si...
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Lithograph on wove paper. Reference: Barker 123. Edition of 31.Signed in pencil.
Graphite on wove paper. Signed in pencil.Inscribed with the location.
Ink wash on wove paper (on the back of a Connecticut commercial product list).Signed with monogram stamp GIO in a circle (?).
Pencil with pale-blue touches on board. Provenance: collection Mrs. Ernest Haskell, Jr; exhibited at Crocker Art Gallery in 1976 retrospective, Sac...
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Drypoint on wove paper with two flower watermarks (papermaker unidentified).Reference: McCarron 76. Edition of 84. Lewis uses the dramatic nighttim...
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Wood engraving on thin laid paper. Edition unknown, but likely one of a handful of impressions only. Our colleagues and friends at The Annex Galler...
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Lithograph on wove paper. Reference: Stuckey 194. Edition of 50. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Lithograph on wove paper. Reference: Stuckey 196. Edition of 65. This subject was drawn in Ogunquit, Maine.Signed and annotated in pencil.
Lithograph on wove paper. Edition of 90.Signed, titled, and numbered in pencil.
Lithograph on Rives wove paper, no date. Edition unknown, but likely small if any. Scarce.Signed in pencil.
Etching on wove paper.Reference: Windisch. Cole, and Herbaugh 667. Published by Associated American Artists (AAA), in an edition of 250. Signed in ...
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Mezzotint on wove paper.Edition was to be of 35 but was likely not completed. Rare.The current work was the artist's last published mezzotint.Signe...
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Intaglio, most definitely aquatint mixed with other techniques, printed with embossing in simultaneous color printing (using various viscosities of...
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Woodcut on thin laid paper, 1943-44. Trial proof, aside from an edition of 27. It’s rush hour and a sea of people is holding on for dear life as th...
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Color pencil on light gray wove paper, circa 1910. A young boy sits on Central Park’s rocks, picturing himself in some wild land. Were it not fo...
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Color lithograph on BFK Rives wove paper.Printed to the sheet’s deckled edge. Trial proof, aside from the edition. Edition unknown. Signed, titled,...
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Etching on wove paper. Edition of 60. Part of a set of prints commissioned by the Sheffield Steel Corporation in 1937. Signed, numbered, and titl...
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