Sundown
KLOSS, Gene
Aquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
View full detailsAquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
View full detailsLithograph on BFK Rives wove paper. Reference: Bryce 2. Intended edition of 35. Printed by George C. Miller, New York.The intended edition was thir...
View full detailsEtching, printed on laid paper. Reference: Fletcher 248. From the French Church Series, plate 34. Signed and dated, and annotated “II” in pencil.
Woodcut on thin Japan wove paper. Stated edition of 45, but very unlikely to have been printed in full. The artist would have been just 18 years ol...
View full detailsColor woodcut printed on Japan paper. Artist’s proof, (aside?) from the edition.Signed, titled, dated, and annotated “207/210 a/p” in pencil.
Wood engraving on chine-volant.State edition of 60, which seems unlikely given the rarity of this work.Signed, titled, and annotated in pencil. I...
View full detailsWood engraving on cream laid japon volant paper.Edition of 50.Signed and titled in pencil. Very think scattered foxing; barely noticeable.
Aquatint, burnisher and drypoint on wove paper, c. 1925.Artist’s proof, aside from an unknown edition; if one was actually printed, which is doubtf...
View full detailsDrypoint and etching on laid paper. One of only two impressions in the second state of (?). Signed and annotated “2e St. 2/2”.
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