Juvisy – Paris
MONTAUD GAMY, Marguerite
Lithograph, extensively hand-colored, possibly by pochoir, or freehand.The edition is unknown. With a ghost impression of the title and comment “Ju...
View full detailsLithograph, extensively hand-colored, possibly by pochoir, or freehand.The edition is unknown. With a ghost impression of the title and comment “Ju...
View full detailsBanquise (original French title) Engraving on laid Monval verdâtre paper.Reference: Tonneau-Ryckelynck & Plumart 155. Erroneously presumed to b...
View full detailsWoodblock print (color woodcut) printed on Japan wove paper. Bearing the artist’s red seal in the image as well.
Une Loge (original French title) Drypoint and aquatint on laid paper. References: Exsteens 286; Arwas 352. Edition of 21 in color. Aside from an ed...
View full detailsBlack crayon and watercolor on tan laid paper.This is a preliminary drawing for a color woodcut on page 53 of Paysages et Coins de Rues, Jean Riche...
View full detailsLili au Boa Noir (original French title)Drypoint and roulette printed in three colors on laid Van Gelder Zonen paper.Reference: Ginestet et Pouillo...
View full detailsColor woodcut printed on Japan paper. Artist’s proof, (aside?) from the edition.Signed, titled, dated, and annotated “207/210 a/p” in pencil.
Lithograph printed on wove paper. Reference: Season, Myers & Windisch 2577.Published by Associated American Artists (AAA), in an edition of 250...
View full detailsWoodblock print, color woodcut, printed on Japan wove paper. Edition unknown, but certainly small. Toshi Yoshida first created prints in the Shin-...
View full detailsWoodblock print, color woodcut, printed on Japan wove paper, circa 1950-60. Bearing the artist’s red seal and stamped “Kiyochi Saito” in black ink ...
View full detailsAnimaux Divers (original French title) Engraving on Monval verdâtre paper.Reference: Tonneau-Ryckelynck & Plumart 205. Edition of 100. From th...
View full detailsGazelle et Biches I (original French title) Engraving on Monval verdâtre paper.Reference: Tonneau-Ryckelynck & Plumart 211. The printmaker’s pe...
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