Monkeys
CHAHINE, Edgar
Les Singes (original French title) Etching on heavy wove paper, 1908. Reference: Tabanelli 277. Third state of three, after the background was comp...
View full detailsLes Singes (original French title) Etching on heavy wove paper, 1908. Reference: Tabanelli 277. Third state of three, after the background was comp...
View full detailsPour un Projet Sensationnel or Le Secret (original French title) Drypoint on Arches laid paper. Reference: Ginestet et Pouillon E106. Artist’s proo...
View full detailsLe Pont (original French title) Color lithograph printed on thin wove paper, 1899.Reference: Bouvet 66. Edition of 100.From the artist’s famous ser...
View full detailsBlack crayon, colored pencil, and pastel on wove paper. Unrelated to any print by the artist; likely an idea that never really went any further, th...
View full detailsBlack crayon, colored pencil, pastel, with white gouache highlights on wove paper. Possibly related to an unidentified print. A very fine drawing b...
View full detailsLithograph printed in four tones on thick wove paper, 1888-1902. Reference: Fields page 77-78. Plate 1 from the series titled Les Trente-Six Vues d...
View full detailsEtching and drypoint printed in two tones on simili-Japan paper. Reference: Bourcard & Goodfriend 177. Seventh and final state. A beautiful “sa...
View full detailsEtching on laid paper. Reference: Delteil 14 ii/ii. Superb impression of Millet's rarest, and arguably best etching. Large margins (tips of two co...
View full detailsEtching with engraving on laid J Kool watermarked paper. References: Schneiderman 23 v/x; Delteil-Wright 28 v/x. Superb impression, before letters...
View full detailsEtching printed in dark brown ink on laid paper.Refereces: Delteil/Wright 29 iii/v; Schneiderman 24ii or iii/v.A rich impression of this early stat...
View full detailsEtching on chine-collé on white wove paper. Reference: Van Gelder 107 only state. As published in Revue Fantaisiste, September 1861. Faint foxing i...
View full detailsCliche-verre, mounted on card. Reference: Delteil 48. Exceedingly scarce, early impression in brown.The last impression to come up for auction was ...
View full detailsBlack crayon and watercolor on tan laid paper.This is a preliminary drawing for a color woodcut on page 53 of Paysages et Coins de Rues, Jean Riche...
View full detailsHélène of Septeuil or Enfant au Perroquet Drypoint on laid Van Gelder paper, c. 1890. Reference: Breeskin 134. Very likely a fourth state of five, ...
View full detailsL'Éducation du Chien ou Dans la neige (original French titles) Lithograph printed in four colors on wove paper, 1893.References: Salomon 10; Stein ...
View full detailsEn Bretagne, Eaux-Fortes et Lithographies par Maufra (original French title) Color etching & aquatint on wove paper, 1894.Refs: BN-IFF 11.2; Ca...
View full detailsLa Promenade or Les Cypresses or Les Cyprès (original French titles) Color lithograph printed on chine collé.Reference: Una Johnson 27.As published...
View full detailsLe Grand-Prix de Paris (original French title) Color etching, aquatint, and drypoint printed on simili-japon paper, 1906.Ref: Delteil 74.Edition of...
View full detailsLe Paysage Nocturne (original French title) Lithograph printed in two tones on laid Japan paper. From the series "Bruges Mystique et Sensuelle". ...
View full detailsLili au Boa Noir (original French title)Drypoint and roulette printed in three colors on laid Van Gelder Zonen paper.Reference: Ginestet et Pouillo...
View full detailsPetite Mendiante de Pleyben (descriptive French title) Drypoint and color aquatint on laid Arches paper. Edition of 50, yet surprisingly scarce, li...
View full detailsDernière nouveauté (original French title) Lithograph printed on smooth wove paper. Reference: Vallotton et Goerg 44.Edition of 100.Reproduced in L...
View full detailsCoq au Repos (French title) Color woodcut (woodblock print in Japanese manner, with water-based inks) on thin laid Japan paper, circa 1908-1912.One...
View full detailsLa Place Pigalle en 1878 (original French title) Etching, aquatint, and drypoint on Japan paper, 1878.Reference: Bourcard & Goodfriend 129 vi/v...
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