The Embankment, Westminster
BUHOT, Felix
Lithograph on a large sheet of heavy, white wove paper.Reference: Bourcard & Goodfriend 183 ii/ii.Beautiful and fresh impression, before any of...
View full detailsLithograph on a large sheet of heavy, white wove paper.Reference: Bourcard & Goodfriend 183 ii/ii.Beautiful and fresh impression, before any of...
View full detailsA l’Opéra: Madame Caron dans Faust (original French title) Lithograph printed in olive-green ink on wove paper. References: Delteil 49; Wittrock 39...
View full detailsLithograph on laid paper.Reference: logbook 200.Edition of 20.Signed in pencil. This is unequivocally one of the artist’s very best prints. The vi...
View full detailsOdilon REDON (1840-1916) …je me suis enfoncé dans la solitude. J’habitais l’arbre derrière moi. (original French title) Lithograph on chine-collé...
View full detailsLithograph in brown ink on wove paper. Reference: Bonafous-Murat, Maurice Dumont et L’Épreuve 238. As published in "L'Epreuve", Paris, in edition ...
View full detailsLithograph on Rives wove paper. Edition of 40. The artist apparently made another version of such a Roman ruin in a Southwestern landscape. Signed,...
View full detailsLithograph on wove paper, 1944. Edition of 50.The artist apparently made another version of such a Roman ruin in a Southwestern landscape.Signed, d...
View full detailsLithograph on laid chine paper. Rare proof impression, aside from the book edition titled "Allo! Paris!". Before the publication by "Editions des...
View full detailsLithograph sur blanc. Reference: Delteil 76 i/ii. Impressions sur blanc (on blank white paper), rather than the more common impressions on newspri...
View full detailsLithograph on wove paper, circa 1930.Signed in pencil.
Lithograph on thin beige wove paper.Published by La Revue Blanche in August 1894. Edition details for this publication are hard to come by, but it...
View full detailsColor lithograph on tan wove paper. Published by La Revue Blanche in August 1894. Edition details for this publication are hard to come by, but it ...
View full detailsLithograph on wove paper. Edition of 50.The artist apparently made another version of a Parisian window view with the same title. Both are surprisi...
View full detailsLithograph on wove paper. Reference: Stuckey 190. Edition of 40. This subject was drawn in Ogunquit, Maine. Signed and annotated in pencil.
Les Enchères (French title) Lithograph printed on wove chine paper. Reference: not listed in BN-IFF.It’s unclear that this composition was ever pri...
View full detailsLithograph on Rives wove paper, no date. Edition unknown, but likely small if any. Scarce.Signed in pencil.
Lithograph on thin wove paper, 1921. Reference: Mason 79.Printed by Bolton Brown, as is seemingly the case of the whole edition.Edition of 45, scar...
View full detailsLithograph on thin tan chine paper, 1887. Reference: Mellerio 71. This is a proof aside from the scarce edition of 25 on chine-collé, printed by L...
View full detailsLithograph on Montval laid paper.Edition 250. Printed by Adolphe Braun & Co, Paris.Signed in pencil. Creative and elegant use of white-line scr...
View full detailsLithograph on Montval laid paper, 1929.Edition 250. Printed by Adolphe Braun & Co, Paris.Signed in pencil. This composition has a particularly ...
View full detailsLithograph on white chine-collé on tan wove paper, no date. Edition of 25. An impression numbered over 25 exists.Signed and titled in pencil. It is...
View full detailsVijf Angorakonijnen (original Dutch title) Lithograph with embossing on light-gray chine-collé, 1898. Reference: De Groot 86. Edition unknown. ...
View full detailsLithograph on wove paper, no date. Edition unknown, but if there was any, it certainly was small. The format suggests it could have been intended...
View full detailsLithograph printed on wove paper, no date.Edition of 50.Signed, titled, and annotated in pencil.Bearing the estate stamp on the verso.
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