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Ajuna
BOSE, Arun
Color intaglio viscosity print, with mica ink, printed on wove paper.Edition of 120.Signed and numbered in pencil. The artist obtains effects that ...
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Color intaglio viscosity print, with mica ink, printed on wove paper.Edition of 120.Signed and numbered in pencil. The artist obtains effects that ...
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Aquatint, etching, and drypoint on Arches wove paper.Reference: Sanchez 517.Edition of 50.Compared to another version of this print, titled “Riders...
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Cut-out color aquatint and etching on BFK Rives wove paper, 1970. Reference: Spielmann 282.1. Edition of 100. Signed, titled, and numbered in pencil.
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Color viscosity intaglio on Arches wove paper.Stated edition of 10, but according to the artist likely not printed in full.Printed while the artist...
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Etching on laid paper, circa 1930.Edition unknown, but likely small, like most of Ripley’s prints.Signed and titled in pencil.
Intaglio, most definitely aquatint mixed with other techniques, printed with embossing in simultaneous color printing (using various viscosities of...
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Intaglio printed in black ink on wove paper, 1963.Stated edition of 25.Signed, titled, dated “12/63”, numbered and annotated “Paris” in pencil. May...
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Mezzotint printed in black ink on tan Japan laid paper, 1957.Edition of 100, some impressions numbered, others not. This print has become very sca...
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Cut-out color aquatint and etching on BFK Rives wove paper. Reference: Spielmann 282.2. Edition of 100. Signed, titled, and numbered in pencil.
Drypoint and etching on laid paper. One of only two impressions in the second state of (?). Signed and annotated “2e St. 2/2”.
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Etching on wove paper. Ref : library of Congress. Published by the "Miniature Print Society", Alexandria, VA. Edition unknown. Signed and titled in...
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Etching on wove paper. Edition of 16. Signed and titled in pencil.
Intaglio (etching, maybe also engraving and drypoint) on thin wove paper.Edition unknown, probably not very large.Signed in pencil, and titled in t...
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