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Color carborundum and/or collagraph on thick wove paper. Trial proof. There was seemingly no edition of this print. We can find neither another imp...
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Color carborundum and/or collagraph on thick wove paper. Trial proof. There was seemingly no edition of this print. We can find neither another imp...
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Lithograph on Rives wove paper. No stated edition, and scarce. It isn’t clear that any editions were ever printed for any of the artist’s few litho...
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Color aquatint and mezzotint on wove paper. Artist’s proof. It seems unlikely that this print was ever editioned. We have yet to find another impre...
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Pen and ink drawing on laid paper with partial illegible watermark.Signed and dated in ink within the image.Provenance: Sylvan Cole Gallery, New Yo...
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Etching on wove paper.Initialed in the plate at lower left, and pencil signed at lower right.Sheet size: 8 7/8 x 7 5/8 inches.
Woodcut on japon paper.Edition of 25.Signed titled and numbered in pencil.Sheet size: 11 5/8 x 13.375 inches.Condition notes: glue residue from old...
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Jeune Femme au Bain (original French title) Etching on laid paper, after 1866.Reference: Beraldi 423. In Rembrandtian tradition, Charles Jacque dra...
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Etching printed in brown ink on laid Arches paper. Ref: BnF-IFF 62.Edition of 36.Published by Edmond Sagot, with his blindstamp (Lugt 2254).Signed ...
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Color intaglio inked à la poupée. Edition of 15.Signed, titled, and numbered, and annotated in pencil.
Linocut.Edition of 30.Signed, titled and numbered “14/30” in pencil. In the collection of the Victoria & Albert Museum.
Ink and pencil on thick wove paper.A preparatory drawing (numbered "3"in blue crayon) for an unidentified publication.Monogrammed in ink in the ima...
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Color stencil (pochoir) on wove paper. This print was created under the auspices of the "Southern California Art Project", which was funded by the ...
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