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L'Ile des Cygnes
RIVIERE, Henri
Color lithograph on smooth wove paper, 1900.Reference: Levasseur & Le Bohec lith. 18.Print from the series titled "Paysages Parisiens".Publishe...
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color
- beige
- blue
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- gold
- gray
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- muted
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- olive
- orange
- subtle
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- teal
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scape
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- Arts and Craft
- belle epoque
- japonisme
- painterly
- pont aven
- post impressionism
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subject
- animal
- boat
- body of water
- bridge
- building
- buildings
- chore
- chores
- city
- city life
- cottage
- cow
- dog
- dress skirt
- dusk
- electric light
- farm
- farmer
- field
- figure
- fish
- fishing
- flora
- historic building
- horse
- house
- labor
- man
- Paris
- sea
- shepherd
- sky
- smoke
- social commentary
- sunset sunrise
- transportation
- tree
- umbrella
- walking
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- windmill
- woman
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Henri RIVIERE
Many artists can be credited with helping develop the interest in color printmaking in the Western Hemisphere. However, only Henri Rivière (French, 1864-1951) can truly be called the father of this artistic development in Europe, and later the United States. Years before artists consider the artistic riches provided by lithography in color, and at a time when Japanese woodcuts are making their way onto Western art markets, Rivière create color woodcuts and a few years later color lithographs. These compositions are so far removed from the esthetic of late 19th century France that he does not immediately elicit praise. But other artists, and a broader public, soon discover his amazing compositions. From the late 1880’s to the onset of the First World War, Rivière is an artist whose colors and technique inspire whole generations.
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Dusk
RIVIERE, Henri
Le Crépuscule (original French title) Lithograph printed in color on wove paper, 1901-02.Ref: Levasseur & Le Bohec lith. 73.From the series of ...
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The Last Rays
RIVIERE, Henri
Les Derniers Rayons (original French title) Lithograph printed in color on smooth wove paper.Reference: Fields page 77.Plate 16 from the series of ...
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